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Ancillary Sword by Ann Leckie

Buy Ancillary Sword by Ann Leckie: Book/eBook

To say that Ann Leckie’s debut novel, Ancillary Justice (REVIEW), was last year’s most surprising critical darling wouldn’t be far from the truth, but anyone with knowledge of Leckie’s previous short fiction should not have been shocked to see the bold space opera make so many waves. Ancillary Justice recently won the Kitschies’ Golden Tentacle, and found nominations for the 2013 Philip K. Dick Award, the 2013 Nebula Award and the 2013 BSFA Award for Best Novel. It is expected by many (myself included) to make the Hugo list for Best Novel when nominations are tallied next month.

Ancillary Sword does not have the luxury of obscurity, as Leckie was quick to point out when I reached out to her to discuss the sequel. “I wrote Ancillary Justice in a sort of isolation — only my friends knew I was working on it,” she said. “Some of them had opinions on the work, but mostly it was just me, writing and thinking about it. Ancillary Sword, though — now Ancillary Justice is out, I’ve been seeing reactions to it, and speculations about Ancillary Sword, and it’s kind of odd, to see people tweet about where they hope or assume the book or its characters might go.”

Fans have a lot to look forward to, and the back cover blurb for Ancillary Sword gives a good idea of what they’re in for.

The Lord of the Radch has given Breq command of the ship Mercy of Kalr and sent her to the only place she would have agreed to go — to Athoek Station, where Lieutenant Awn’s sister works in Horticulture.

Athoek was annexed some six hundred years ago, and by now everyone is fully civilized — or should be. But everything is not as tranquil as it appears. Old divisions are still troublesome, Athoek Station’s AI is unhappy with the situation, and it looks like the alien Presger might have taken an interest in what’s going on. With no guarantees that interest is benevolent.

“When I wrote Ancillary Justice,” Leckie explained, “I knew that the story wanted to be a trilogy — it’s funny, isn’t it, how you just think of things in familiar forms, as though there’s some universal reason a story should be a hundred thousand words long, or else three chunks of a hundred thousand each, and not some other length or structure. It just goes to show how strong some expectations are.

“Anyway. I felt from the start that the story wanted to be a trilogy, but I also had no way of knowing if I could even sell one book, let alone three. So I decided to write Ancillary Justice as though there would only be the one book–but I also tried to leave some options open in case I would actually get to continue.”

Breq is facing somewhat different problems, now she’s gotten what there is to get of her revenge and is still alive to face new problems.

The critical success of Ancillary Justice opened many doors for Leckie and her trilogy. Breq’s journey through the the first novel left readers with an empire on the verge of civil war and utter collapse, and Ancillary Sword promises to deliver questions to some of the trilogy’s most pressing questions, though not in exactly the same way that Ancillary Justice first asked them.

“Of necessity, the settings of Ancillary Sword aren’t quite so far-flung as Ancillary Justice,” she explained “[and it] isn’t exactly the same sort of book as Ancillary Justice. Breq is facing somewhat different problems, now she’s gotten what there is to get of her revenge and is still alive to face new problems. Regardless, I do hope that readers enjoy it.”

Crystal Rain by Tobias Buckell

Ragamuffin by Tobias Buckell

Sly Mongoose by Tobias Buckell

Tobias Buckell announced yesterday that Tor Books is planning a full relaunch of his lauded Xenowealth series, beginning with Crystal Rain. This initiative includes a new branding approach for the series, and a major departure from the original adventurous covers.

We wanted to make sure the books say that they are space adventure. Space opera.

And ain’t it just gorgeous?

Buckell commented on the stylistic change for the new covers, which come about at the expense of some wonderful artwork from one of the industry’s leading artists, Todd Lockwood. “The original Todd Lockwood covers for the books are awesome,” he said. “But when we talked about relaunching the series in trade, one of the things I raised was the fact that booksellers had been telling me that Todd, amazing that he is, is usually associated with Fantasy.”

The first volume in the series, Crystal Rain shares a lot of thematic and structural similarities with fantasy adventure, the sequels, Ragamuffin and Sly Mongoose are more firmly planted in recognizable science fiction, something Buckell and Tor recognized was a potential branding issue, despite the Lockwood’s lovely art.

The Apocalypse Ocean by Tobias Buckell

Buy The Apocalypse Ocean by Tobias Buckell

“With this visual rebranding,” Buckell explained, “we wanted to make sure the books say that they are space adventure. Space opera.

“Science fiction.”

I’m an enormous fan of Buckell’s work, and I was always disappointed by Tor’s initial poor handling of a series with, I believed, the potential to appeal to a large audience of science fiction and general fans. With the recent resurgence in science fiction popularity (at least among the most engaged fans), thanks to authors like Ann Leckie and James S.A. Corey, it feels like the time is ripe for Buckell’s series to be reintroduced to a hungry audience.

Buckell also confirmed more news about the Xenowealth series is coming in the pipeline. There are “lots of pieces of the puzzle are coming together,” he said. The new edition of Crystal Rain will in December, 2014, with Ragamuffing and Sly Mongoogse coming shortly afterwards in 2015.

Steles of the Sky by Elizabeth Bear

As anyone who followed my reviews in 2013 knows, I’m a slavering fan-boy for Elizabeth Bear’s Eternal Sky trilogy (Reviews: , Shattered Pillars, Steles of the Sky). Seriously. It’s the best completed fantasy trilogy I’ve read in a decade. Along with Kameron Hurley, I think that Bear is publishing some of the most progressive, interesting and important SFF today.

So, needless to say, I’m pretty excited to see that the first details about Bear’s next novel, Karen Memory, have been revealed. An I think you should be, too.

In conversation with Liz Bourke on Tor.com, Bear said:

Currently I’m working on a wild west Steampunk novel called Karen Memory, which is coming out from Tor in 2015. It involves heroic saloon girls, massive conspiracies, and at least one fascinating and oft-ignored historical character.

While fans of her fantasy trilogy might be disappointed to see Bear leaving the epic fantasy subgenre, I’m excited to see that she’s continuing to explore the boundaries of genre fiction. Bear is one of the genre’s more diverse and exploratory writers, and readers can expect the same level of care and thoughtfulness that she applied to epic fantasy to be shown towards Steampunk and its (very popular) tropes and traditions.

Karen Memory is slated for release in 2015 from Tor Books.

Chew Manga by Jessica Dinh

Chew Manga by Jessica Dinh

For the past year or so, Terry Brooks has been teasing his fans with hints of a conclusion to his long-running Shannara series. Since some of its earliest volumes, the Shannara series has explored the results of growing science in a world once dominated by magic. Brooks has mentioned several times now that within the next several years he will be writing a trilogy that will tie-up this ongoing tug o’ war, calling the trilogy and “end” for Shannara. But, would Brooks, and his publishers, really be willing to step away from the long-standing (and reliable revenue generating) series? The answer, it appears, is no.

The the most recent instalment of “Ask Terry,” a monthly feature on Brooks’ website where the author answer fan questions, Gina Miller asked, “When I finished Measure of the Magic, it felt incomplete. We left everyone divided and leaderless, and it was an incomplete transition to the Shannara world. Will there be a bridge to make the transition complete?”

To which Brooks replied:

Yes, there will be a finish to the set. Just not for awhile. Probably not for as along as five years. I intend to write the end of the Shannara series first, then go back to the pre-history. Obviously, if I intend to keep my promise to all of you, I have to write from Measure up to the First Council of Druids. Let’s hope I live that long.

Colour me unsurprised (and a happy Shannara fan). While Shannara might receive a trilogy that concludes the war between science and magic, there are many more stories to tell in the world, and it wouldn’t surprise me to see Brooks turning to more standalone novels, similar to his upcoming novel, The High Druid’s Blade, set at various points along Shannara‘s lengthy timeline.

In addition to these upcoming novels, Brooks has also said that he has a new book (or series) planned that is entirely unrelated to his previous works.

God's War by Kameron Hurley

Buy God’s War by Kameron Hurley: book/eBook

Yesterday, Angry Robot Books announced the Worldbreaker Saga, a new fantasy/science fiction trilogy from Kameron Hurley (remember her?). “The Mirror Empire will be published worldwide in September this year, with the sequel to follow a year later,” explains Angry Robot.

Surprising to note, The Mirror Empire is set to release this September, a very quick turnaround in the world of traditional publishing, and sure to set some readers to shuffling around their fall reading list. It’s instantly become one of my most anticipated novels of 2014.

Hurley’s best known for her Bel Dame Apocrypha, a slim trilogy (by genre standards) about the bounty hunter Nyx, which Dan Hartland of Strange Horizons described as, “like a live grenade, lobbed with abandon and not a little mischief.” So, I was rightfully surprised when she described The Mirror Empire to me. “This is Game of Thrones meets Fringe,” she said. “Across three respectable doorstoppers.”

Along with the announcement, we also have an early synopsis:

On the eve of a recurring catastrophic event known to extinguish nations and reshape continents, a troubled orphan evades death and slavery to uncover her own bloody past… while a world goes to war with itself.

In the frozen kingdom of Saiduan, invaders from another realm are decimating whole cities, leaving behind nothing but ash and ruin. At the heart of this war lie the pacifistic Dhai people, once enslaved by the Saiduan and now courted by their former masters to provide aid against the encroaching enemy.

Stretching from desolate tundra to steamy, semi-tropical climes seething with sentient plant life, this is an epic tale of blood mages and mercenaries, emperors and priestly assassins who must unite to save a world on the brink of collapse. As the dark star of the cataclysm rises, an illegitimate ruler struggles to unite a country fractured by civil war; a precocious young fighter is asked to betray his family to save his skin; and a half-Dhai general must choose between the eradication of her father’s people or loyalty to her alien Empress.

Through tense alliances and devastating betrayals, the Dhai and their allies attempt to hold against a seemingly unstoppable force as enemy nations prepare for a coming together of worlds as old as the universe itself.

In the end, only one world will rise – and many will perish.

Art by Jung Park

Art by Jung Park

I caught up with Hurley to chat about the new deal an what to expect of her new trilogy. “his book has been a long time coming,” she said. “It’s one of those projects that brews at the back of your brain for nearly twenty years, waiting for you to achieve the skill you need to actually pull it off.”

Hurley’s first trilogy has been a huge critical success (most recently, God’s War was nominated for a BSFA), but she wasn’t ready to return to that world for novel-length material, so began this new project.

“After I finished my God’s War trilogy, I needed a break from writing a world mired in apocalyptic war… so of course I sat down and wrote The Mirror Empire, which is about a world at the brink of apocalyptic war with multiple worlds. Because one world at war just isn’t, you know, enough for me. It’s the most intricate and complex book I’ve ever written, and I had a lot of help along the way, in particular from my agent, Hannah Bowman, who has a very keen sense for how to thread together multiple plot lines over multiple worlds and… well… a lot of multiple things, as folks will note pretty early on.”

“I’m pretty jazzed to see what folks think of it.”