Posts Categorized: News

THE KING'S BLOOD by Daniel Abraham

The apostate, called Kitap rol Keshmet among other things, stood in the soft city rain, the taint in his blood pressing at him, goading him, but being ignored. Fear and dread welled up in his throat.

In any of the cities and villages of the Keshet or Borja or Put, the temple would have been the central fact of the community, a point of pride and honor, and the axis about which all life turned. In the vast glory of Camnipol, it was only another of a thousand such structures, awe-​inspiring in its scope, beauty, and grandeur, and rendered unremarkable by its company.

The city was the heart of Imperial Antea as Imperial Antea was the heart of Firstblood power in the world, but Camnipol was older than the kingdom it ruled. Every age had left its mark here, every generation growing on the ruins of the old until the earth below the dark-​cobbled streets was not soil, but the wreckage of what had come before. It was a city of black and gold, of wealth and desperate poverty. Its walls rose around it like a boast of invulnerability, and its noble quarters displayed great mansions and towers and temples casually, as if the grandeur was trivial, normal, and mundane. Had Camnipol been a knight, he would have worn black-​enameled armor and a cloak of fine-​worked wool. Had it been a woman, she would have been too handsome to look away from and too intimidating to speak with. Instead, it was a city, and it was Camnipol.

*Puts fanboy hat on head*

We all know how much I like Daniel Abraham’s novels.Like, say, The Dragon’s Path. You should too. The King’s Blood, the second volume in Abraham’s The Dagger and the Coin series is out on May 22nd, 2012 and I’m unreasonably excited. So, here’s an excerpt to encourage similar levels of enthusiasm in you.

You can read the full excerpt from The King’s Blood by Daniel Abraham on the Orbit Books website.

Luck of the Draw by Piers Anthony

A nice piece of cover art here from Julie Dillon, one of my favourite new artists. What’s worth noting, however, and the real reason I chose to post this cover, is that this is the first of Anthony’s Xanth series to be published since the death of Darrell K. Sweet, who had been with the series since the publication of its third volume, Castle Roogna, in 1979. This, of course, is of note to Wheel of Time fans who are eager to see the cover of the final volume, A Memory of Light, the first Wheel of Time novel to be released without a cover from Sweet. Dillon’s art captures Sweet’s style admirably while still having an identity of its own, which is great news for Xanth fans.

Caliban's War by James S.A. CoreyDaniel Abraham revealed some exciting news today:

Your friends and mine at Orbit have signed on for the three more Expanse books that we’d hoped they’d take and surprised us by asking for five novellas (!!) in the same universe to go along with them. So the big arc story that we only hoped to tell when we started Leviathan Wakes is going to get told.

Good news for fans of “Corey’s” work, like me. From the sounds of it, the third book in the current series, now called Abaddon’s Gate, will conclude the general storyline started in Leviathan Wakes, and the following trilogy will pick up from there and continue on a larger story-arc. Yum. Five novellas is just icing on the cake.

Congrats to both Daniel Abraham and Ty Franck, the two authors who, together, form Voltron James S.A. Corey.

Range of Ghosts by Elizabeth Bear

So, I’ve never read any of Elizabeth Bear’s long fiction, despite being aware of her strong and respected reputation within the SF/F fan community. I did, however, really enjoyed her short story “The Horrid Glory of Its Wings” (REVIEW) I’ve recently stumbled into several glowing reviews of her latest release, Range of Ghosts, which is the first volume of The Eternal Sky trilogy, and she’s now firmly back on my radar. Tell me you’re not intrigued:

Brit Mandelo, Tor.com:

Range of Ghosts is a strong beginning to a big story about fascinating, flawed, believable people. I closed the novel with a desperate curiosity about what comes next, for the characters and their world; I found the book itself to be a well-written, well-constructed read with precise prose dedicated to balancing fifty things at once in most scenes. All around a great piece from Elizabeth Bear, and I recommend it for readers who want stunning, crunchy world-building, complex conflicts, and women characters who aren’t just strong but are also powerful. It’s the “big, fat fantasy with maps” you’ve been waiting for, if you’re much like me.

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