Kate Elliott’s fiction first came to my attention in the mid-’90s. In the age before the rise of massive social media, I discovered authors through publications like Locus, and through things like award nomination lists. When King’s Dragon showed up on the Nebula shortlist for novels published in 1997 (a ballot that also coincidentally included an unassuming novel titled by a chap named Martin), I was excited to try a new author, and one tackling epic fantasy at that! I was pleased to find that King’s Dragon offered deep and intricate worldbuilding, strong female characters, perspectives on issues and facets of epic fantasy worlds that don’t always get much play, and a willingness to go dark when necessary. This was definitely something different than the epic fantasy of the ’80s I devoured as a teenager. I was hooked on Kate’s work. Hard.
I started reading backward into her œuvre, and then forward ever since.
Though also an author of several science fiction novels (Jaran, for instance, might be considered as Genghis Khan meets Jane Austen in space!), Elliott is best known for being one of the cornerstones of epic fantasy writing starting in the mid 90s and continuing strongly to this day. While many of the innovations and style of Elliott’s rising carries through all of her work, the series’ themselves are individual and distinct in manner, matter, and tone. There is a Kate Elliott fantasy series for nearly every taste of reader. Read More »