Posts Tagged: DAW Books

exile-trilogy

“Yes, I will write Captal’s Tower,” Mealnie Rawn revealed to her fans on Kate Elliott’s blog yesterday. Anyone who’s followed Rawn’s career knows what huge news this is, but for those that aren’t familiar with Rawn’s Exiles trilogy, know that the path to the trilogy’s conclusion has been slow and fraught with peril.

“I’m very sorry it’s taken so long. My sincere thanks to all of you who have been so patient,” Rawn told fans. “I’m currently writing the fifth book in the Glass Thorns series, and after that my plan is to get to work on Captal’s Tower.”

The Captal’s Tower is the final volume of Rawn’s Exiles trilogy, which began in 1994 with The Ruins of Ambrai. Fans have been waiting for the end of Collan Rosvenir’s tale since the 1997 release of the second volume, The Mageborn Traitor. Personal issues, including clinical depression, prevented Rawn from completing work on The Captal’s Tower in the late ’90s.

This is, of course, fantastic news for fans of the trilogy, who have been waiting for 17 years for its conclusion, and great news for Rawn, who begins work on a project that has long cast a shadow over her other works of fiction during the past two decades. Time is often the best and only medicine for such illness. Though work on The Captal’s Tower stalled, Rawn has been a productive author during that period of time, publishing six novels and several short stories.

In the author’s note for her novel, Spellbinder, published in 2007, Rawn addressed the issue surrounding To Captal’s Tower. “To those who are disappointed that this isn’t another book — The Captal’s Tower or an offering the Golden Key or Dragon Prince universes — well, what can I tell you?” she wrote. “Life happens. So does clinical depression. […] When I was able to write again, I wanted — needed — to do something entirely different than anything I’d done before.”

As one can imagine, Rawn has faced criticism similar to that directed toward popular authors such as George R.R. Martin, Scott Lynch, and Patrick Rothfuss. However, the enthusiasm and hunger for The Captal’s Tower remains strong and speaks to the quality of the first two volumes in the trilogy. This seems as good a time as any to reread Neil Gaiman’s wonderful post about reader entitlement.

There is no release date for The Captal’s Tower, and Rawn has said on her website that it can take anywhere from “18 months to five years” for her to write a book. So, be excited, but also patient.

For more Melanie Rawn-goodness, Judith Tarr’s recently began a re-read of The Dragon Prince trilogy for Tor.com, which is a great way to revisit a genre classic.

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While fans wait patiently for The Doors of Stone, the third volume in Patrick Rothfuss’ massively popular Kingkiller Chronicles, the author has been busy on several projects, including work on the final volume, The Doors of Stone. The most imminent of these, due for release in November, is The Slow Regard of Silent Things, a novella announced by Rothfuss in April, 2014.

If there’s anything that Rothfuss wants to make clear about The Slow Regard of Silent Things, however, it’s that the novella is not the third volume in the Kingkiller Chronicles. “It’s not a mammoth tome that you can use to threaten people and hold open doors,” Rothfuss explained in his announcement post. “It’s a short, sweet story about one of my favorite characters. It’s a book about Auri.”

In the announcement post, Rothfuss revealed an early synopsis for the novella:

The Slow Regard of Silent Things is set at The University where the brightest minds work to unravel the mysteries of enlightened sciences, such as artificing and alchemy. Auri, a former student (and a secondary but influential character from Rothfuss’s earlier novels) now lives alone beneath the sprawling campus in a maze of ancient and abandoned passageways. There in The Underthing, she feels her powers and learns to see the truths that science—and her former classmates—have overlooked.

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News broke earlier this month that after a 21 year absence, Tad Williams is returning to Osten Ard, the fantastical world that put him on the fantasy map, with The Last King of Osten Ard, a sequel trilogy to his enormously popular and influential epic fantasy, Memory, Sorrow, and Thorn.

“I believe I can now write a story worthy of those much-loved settings and characters,” Williams said, explaining the origins of the unlikely sequel. “One that people who haven’t read the originals can enjoy, but which will of course mean more to those who know the original work. More than that, I feel I can do something that will stand up to the best books in our field. I have very high hopes. I’m excited by the challenge. And I’ll do my absolute best to make all the kind responses I’ve already had justified.”

Though the news was released earlier than Williams originally hoped, he’s only a few chapters into writing the first volume, he’s not shy on providing details of what fans can expect from the new trilogy.

“[The Last King of Osten Ard] is going to be at least as bursting-at-the-seams as the first one,” he said. “Since the originals are already written, I’m not going to spend anywhere near so much time setting up the world. Stuff is going to be happening from pretty much go. And one thing I can definitely tell you. LOTS of Norns. A much closer look at the Norns, collectively and individually, then we had in the first books. Much like what we learned of the Sithi in Memory, Sorrow, and Thorn.” Read More »

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DAW Books announced today via press release that they have bought a new trilogy from Tad Williams, The Last King of Osten Ard. This is a notable event, as Williams returns to the series that launched him to stardom and influenced George R.R. Martin’s A Song of Ice and Fire. The Last King of Osten Ard is a direct sequel to Memory, Sorrow and Thorn.

Which just so happens to be my favourite completed fantasy trilogy of all time.

I’m chuffed.

The press release has the first details about the new trilogy:

In this new trilogy, Williams journeys back to the magical land of Osten Ard and continues the story of beloved characters King Simon and Queen Miriamele, married now for thirty years, and introduces newcomer Prince Morgan, their heir apparent. Also expanded is the story of the twin babies born to Prince Josua and Lady Vorzheva—a birth heralded by prophecy, which has been the subject of feverish fan speculation since the release of To Green Angel Tower in 1993.

In The Last King of Osten Ard, Williams returns with the ingenious worldbuilding, jaw dropping twists and turns, and unparalleled storytelling that have made him one of fantasy’s brightest stars for more thirty years.

The trilogy, The Witchwood Crown, Empire of Grass, and The Navigator’s Children, has no release date.

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Bradley P. Beaulieu, sometimes contributor here at A Dribble of Ink and author of The Winds of Khalakovo, announced this week that he has completed work on the first volume of his upcoming trilogy, The Song of the Shattered Sands, for DAW Books. Beaulieu is known for his comprehensive, diverse world building, and Twelve Kings in Sharakhai looks no different. He’s established a Pinterest board that illustrates some of the imagery he’s used as inspiration for the series, and gives readers a taste of what we can expect from the series.

In the cramped west end of Sharakhai, the Amber Jewel of the Desert, Çeda fights in the pits to scrape a living. She, like so many in the city, pray for the downfall of the cruel, immortal Kings of Sharakhai, but she’s never been able to do anything about it. This all changes when she goes out on the night of Beht Zha’ir, the holy night when all are forbidden from walking the streets. It’s the night that the asirim, the powerful yet wretched creatures that protect the Kings from all who would stand against them, wander the city and take tribute. It is then that one of the asirim, a pitiful creature who wears a golden crown, stops Çeda and whispers long forgotten words into her ear. Çeda has heard those words before, in a book left to her by her mother, and it is through that one peculiar link that she begins to find hidden riddles left by her mother.

As Çeda begins to unlock the mysteries of that fateful night, she realizes that the very origin of the asirim and the dark bargain the Kings made with the gods of the desert to secure them may be the very key she needs to throw off the iron grip the Kings have had over Sharakhai. And yet the Kings are no fools—they’ve ruled the Shangazi for four hundred years for good reason, and they have not been idle. As Çeda digs into their past, and the Kings come closer and closer to unmasking her, Çeda must decide if she’s ready to face them once and for all.

While he admits the book is still early and ‘not perfect,’ it will be going through at least two more drafts after it has passed through hands on his editors, agent and beta readers.

He also illustrates the interesting draft structure that he uses for writing his novels, saying that the draft he completed is the first finished copy, despite having ‘finished’ a ‘zeroth’ draft a couple of months ago. The [zeroth] draft is filled with so many needed changes, that I wouldn’t (under normal circumstances) send it out for review. Why? Because of the simple fact that I know there are so many things wrong with it. If you’re going to have someone review your work, you want them focusing on the things that you can’t find, not wasting their time and yours on the things you already know need fixing,” he said.

Twelve Kings in Sharakhai is due for release in 2014 from DAW Books (North America) and Gollancz (United Kingdom).