OstenArd.com, reporting on an announcement by Tad Williams’ wife and business partner, Deborah Beale, revealed that Williams has completed work on the first draft of The Witchwood Crown. This novel is the first volume of The Last King of Osten Ard trilogy, a follow-up to Williams’ genre-defining epic fantasy trilogy Memory, Sorrow and Thorn. Aside from one short story, “The Burning Man”, this is the first time that Williams has returned to the world of Osten Ard since publishing the final volume of Memory, Sorrow and Thorn in 1993.
“The Witchwood Crown is expected to be published in Spring 2016,” OstenArd.com said. “[It] will be followed by Empire of Grass and The Navigator’s Children.” Williams has previously announced that legendary artist Michael Whelan, who painted the covers for Memory, Sorrow and Thorn, will be responsible for the cover art for the North American edition of the trilogy from DAW Books.
News broke earlier this month that after a 21 year absence, Tad Williams is returning to Osten Ard, the fantastical world that put him on the fantasy map, with The Last King of Osten Ard, a sequel trilogy to his enormously popular and influential epic fantasy, Memory, Sorrow, and Thorn.
“I believe I can now write a story worthy of those much-loved settings and characters,” Williams said, explaining the origins of the unlikely sequel. “One that people who haven’t read the originals can enjoy, but which will of course mean more to those who know the original work. More than that, I feel I can do something that will stand up to the best books in our field. I have very high hopes. I’m excited by the challenge. And I’ll do my absolute best to make all the kind responses I’ve already had justified.”
Though the news was released earlier than Williams originally hoped, he’s only a few chapters into writing the first volume, he’s not shy on providing details of what fans can expect from the new trilogy.
“[The Last King of Osten Ard] is going to be at least as bursting-at-the-seams as the first one,” he said. “Since the originals are already written, I’m not going to spend anywhere near so much time setting up the world. Stuff is going to be happening from pretty much go. And one thing I can definitely tell you. LOTS of Norns. A much closer look at the Norns, collectively and individually, then we had in the first books. Much like what we learned of the Sithi in Memory, Sorrow, and Thorn.” Read More »
Publisher: Hodder & Stoughton -
Pages: 353 -
Lavie Tidhar’s The Violent Century has done for World War II what The Watchmen did for the Cold War (and should have done for the Vietnam War). I make that comparison not because both feature humans with superpowers, but because they offer an opportunity to look at real events through a hyperbolic layer. Tidhar, like Alan Moore, is interrogating real events with the speculative fiction toolkit, looking not at how it happened historically, but at what about the human condition allowed it. The result, in Violent Century’s case isn’t just a great piece of superhero fiction, but a beautiful novel of cultural and literary merit.
[The Violent Century] is the kind of stilted romance built on repressed feelings and unspoken connections.
The jacket copy of the novel reads, “Fogg and Oblivion must face up a past of terrible war and unacknowledged heroism to answer one last, impossible question: what makes a hero” I’m loathe to sum it up so simply. While there are some notions of heroism throughout the novel, the quote describes what a fan reckons a superhero novel ought to be without a sense of the novel’s real themes. In the end, The Violent Century is a love story. Not a tale of heroism or social commentary, although it is those things too, Tidhar’s novel is the kind of stilted romance built on repressed feelings and unspoken connections.
For seventy years Oblivion and Fogg have guarded the British Empire with their abilities as arms of the opaque Retirement Bureau. Divided by a secret from decades past the pair is called back to answer for their actions. Fogg is a child of neglect, exploited for his ability, and asked to do things he finds incongruent with his morality. Oblivion, meanwhile, is more of a cipher, a mystery to solve. There’s also a woman named Klara who sits at the root of the conflict between the novel’s main characters and at the root of how Tidhar’s world is changed from our own. Read More »