Posts Tagged: Movies

ALIENYarr! There be spoilers ahead. Ye’ve been warned!

Wow, what a movie.

As a boy, I watched and read very little Fantasy. It was for girls, full of unicorns and princesses, quests for jewels and other things no boy would be interested in. Until I discovered Tolkien’s The Hobbit, I lived in spaceships, slavered over the high-tech gadgetry of Tom Swift and loved to see the fall of evil scientists as their plans went awry at the hands of a too-clever teen. This was through no fault of my parents, who are both generous, open-minded people with little interest in drawing gender lines for their children, but rather because I adored Science Fiction, loved the conflict and, in my youth and naivety, had strong misconceptions about the Fantasy genre. Despite this love for Science Fiction, however, Alien, and its sequels, were never on my radar. Even as a teen, when the films first became age-appropriate for me, I was a bit of a lightweight where horror was concerned and stayed far away from anything that was remotely frightening. Blame my over-active imagination, blame the monsters under my bed, blame whatever you’d like, but I skipped out on Alien, not realizing that years later I’d discover it for the genre classic that it is.
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Boneshaker by Cherie PriestVia Variety:

Cherie Priest’s steampunk sci-fi novel “Boneshaker” is coming to the bigscreen with Cross Creek Pictures, Exclusive Media Group and Hammer Films onboard.

The companies said Wednesday that Hammer has acquired the rights to the novel. Project will be co-produced by Hammer and Cross Creek Pictures and co-financed by Exclusive and Cross Creek.

John Hilary Shepherd (“Nurse Jackie”) is writing the screenplay. Hammer head of production Tobin Armbrust is overseeing.

Priest’s novel is set in an alternate version of 1880s Seattle, where the city has been walled in and a toxic gas has turned many of its remaining residents into “Rotters,” more commonly known as zombies. A young widow hunts for her teen son in the Seattle underworld while dealing with airship pirates, a criminal overlord and heavily armed refugees.

The novel, published in 2009 by Tor Books, is the first in a series set in the period, which has Priest has dubbed the Clockwork Century. Second novel “Dreadnought” was published in 2010, and the third, “Ganymede,” was recently released.

Tor Books is releasing the fourth in the series, “Inexplicables,” in 2012, and last week announced a deal with Priest for her to write a fifth. That book will be called “Fiddlehead.”

“It’s like Jules Verne meets ‘Resident Evil,’ and we’re thrilled to have such a fun, commercial potential franchise in Boneshaker,” said Cross Creek’s Brian Oliver.

Cherie’s an absolute sweeheart and this couldn’t happen to a better person. Though I haven’t read Boneshaker, my impression of it indicates that Priest’s Zombie-filled, alternate history version of Seattle will traslate wonderfully to the screen. As always, take the news with salt; it’s Hollywood, afterall.

Zoo City by Lauren Beukes

Via Angry Robot, publishers of Zoo City:

Helena Spring, widely regarded as one of South Africa’s most accomplished motion picture producers, has just been awarded the highly sought-after film rights to Zoo City, the Sci-Fi thriller penned by South African author Lauren Beukes – who garnered the 2011 Arthur C. Clarke Award for best Science Fiction novel. In the wake of whopping sales figures, multiple awards and critical acclaim Beukes’ book generated fierce interest from numerous bidders in the entertainment industry, putting Spring alongside major US and UK producers eager to tell Beukes’ unique tale.

Zoo City was published first in South Africa by Jacana Media and thereafter internationally by by Angry Robot.

The urban fantasy is set in a futuristic, gritty and hard-core Johannesburg where the eponymous ghetto has been colonised by society’s outcasts – like criminals, drug-dealers and psychopaths, and their animal companions. Like the other residents of the Zoo City slum, Zinzi, the anti-heroine, is “animalled”, but she is also a shrewd, street-smart girl with the gift (or burden) of finding lost things. Zinzi wears her power animal, a sloth, on her back. When she is hired to find a missing teenybopper star, she hopes that it will be her ticket out of Hell’s waiting room.

“I’m delighted to have secured the film and television rights for Zoo City,” commented Helena Spring. “It is a groundbreaking, magical novel begging for a life on the big screen. Lauren’s storytelling is masterful – edgy and futuristic, unique yet universal. It is high in entertainment value yet emotionally charged, a dream project for any producer.”

An easy and obvious choice for this project would be Neill Blomkamp, the acclaimed director of District 9. Not only is Blomkamp South African himself, but his films are well known for their artistic vision and high-end use of CGI to create believable alien creatures, a trait that would be put to excellent use in Zoo City, which features animal familiars similar to those found in Philip Pullman’s The Golden Compass (and I think we can all agree that we hope this adaptation is more successful the stodgy adaptation of Pullman’s work). Promises are always dicey (and often left unfulfilled) whenever the film world is involved, so, as always, Zoo City fans should temper their excitement somewhat, but it’s still great to see Beukes recognized and rewarded for her work.

Via SFX:

“We were in Hobbiton three weeks ago. I turned 19 when I was in Hobbiton for the first time and I’m 30 now so it just shows you how much time has passed and I think the movies are going to be incredible.”

Of his cameo, he went on to explain, “Frodo is not alive during the time of The Hobbit so they’ve done a flash forward. I didn’t get chance to work with the dwarves – I was just hanging out with them. I got to do a little bit of work with Martin Freeman, who is awesome – I’m a really big fan. I think what he’s doing with Bilbo is great and everyone will love it.”

Elijah Wood on his role in THE HOBBITOff the bat, it’s hard to believe that it’s been so long since The Lord of the Rings first began filming. I’m three years younger than Wood, which would put me at 16 when he first suited up as Frodo Baggins. I was just learning to drive, deep into my discovery of Robert Jordan’s The Wheel of Time and still ignorant enough to enjoy Terry Goodkind and I was just about to meet the girl who would grow up into the woman who’s now my wife (we went and saw each of the three Lord of the Rings films together as friends.) It’s somewhat startling to think of how much my life has changed since the films first started production.

More on topic, however, are Wood’s comments about his role in the film. As any fan of Tolkien’s work will know, Frodo Baggins isn’t born yet when The Hobbit is taking place, from what Wood says, it sounds like his role will (thankfully) be constrained to more of a cameo, potentially book-ending the film as a pre-LOTR Bilbo Baggins reads to his nephew from There and Back Again. Did Frodo need to be shoehorned into the film? No. Will it be weird seeing Martin Freeman playing an older Bilbo instead of Ian Holm? Yep. Will it affect my enjoyment of the film at all? I doubt it.

What do you think about Frodo Baggins being included in The Hobbit?