Posts Tagged: Review

THE NIGHT CIRCUS by Erin Morgenstern

The Night Circus

By Erin Morgenstern
Hardcover
Pages: 400 pages
Publisher: Doubleday
Release Date: 09/13/11
ISBN: 0385534639

EXCERPT

Every so often, a novel comes along that knocks me off my feet, ties me up and leaves me bound, unable to escape until I turn its final page. Even after that final page is turned though, these novels live in my memory, constanly ekeing their way into my thoughts and colouring my discussion of other, inferior novels. I’ve been lucky enough to have this experience twice in the last handful of months; first with The Tiger’s Wife by Tea Obreht (REVIEW) and now with The Night Circus by Erin Morgenstern.

Chandresh Christophe Lefèvre enters not a single tent on opening night. Instead, he wanders through pathways and concourses and walks in loops around the courtyard with Marco in tow, who is taking notes whenever Chandresh finds something to comment upon.

Chandresh watches the crowd, discerning how people decide which tents to enter. He identifies signage that needs to be adjusted or elevated to be easier to read, doors that are not visible enough and others that are too predominant, drawing too little attention or too much of a crowd.

But these are minute details, really, extra oil for inaudible squeaking. It could not be better. The people are delighted. The line for tickets snakes around the outside of the fence. The entire circus glistens with excitement. (p. 101)

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PRINCE OF THORNS by Mark Lawrence

Prince of Thorns

By Mark Lawrence
Hardcover
Pages: 336 pages
Publisher: Ace Hardcover
Release Date: 08/02/11
ISBN: 0441020321

EXCERPT

On page five of Prince of Thorns, I almost stopped reading. By page 12, I went to my computer to read a few reviews from some trusted bloggers/critics to reassure myself that it was a book I truly wanted to give a chance. By page 40 of Prince of Thorns, I couldn’t put it down.

So, why’d I hate it?

The novel begins in such a caustic, morally insensitive way that I was almost instantly reminded of Stephen Donaldson’s Lord Foul’s Bane, the first book to bring me such ire that I almost literally threw it into the fireplace. I finished Lord Foul’s Bane, on the strength of two trusted readers, but ended up hating the novel so much that I haven’t touched Donaldson since. That experience rang though my head as I began Prince of Thorns. The protagonist/narrator, Jorg, was just such a little fuck, so insensitive and hard to relate to, that I couldn’t fathom reading an entire novel centred around him.
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The Shadow Rising

By Robert Jordan
Hardcover
Pages: 1008 pages
Publisher: Tor Books
Release Date: 10/15/93
ISBN: 0812513738

AUDIO EXCERPT

Yarr! There be spoilers for the series ahead. Ye’ve been warned!

The Shadow Rising is considered by many fans to be the current pinnacle of Robert Jordan’s near-legendary Wheel of Time series. Despite being the longest volume, clocking in at 393,000 words, The Shadow Rising is a showcase of Jordan’s writing where his strengths are in full evidence and the weaknesses that bog down later volumes have yet to become overwhelming. It’s even less concise than the preceding volumes, and already Jordan’s tendencies towards rambling narrative and long-winded, repetitive internal dialogue and self-conflict continue to escalate in frequency and annoyance, but The Shadow Rising also contains many of the series’ most genuinely terrific moments that those flaws are if not unnoticed at least forgiven.

One interesting addition to the series are the ‘Bubbles of Evil’ that Jordan introduces early on in the novel with three of the most memorable scenes in the entire series (in particular, Mat’s fight against the figures from the playing cards has always been one of the most ‘otherly’ and interesting scenes I’ve come across in an Epic Fantasy). These acts of seeming randomness allow Jordan to keep Rand and co. on edge by constantly hovering the threat of violence over their heads. It’s one thing to know that Trollocs can pop out of any shadow (and, by this time in the series, the reader has more-or-less lost any sort of respect for the threat they pose, having seen Trollocs dispatched in absolute droves by the end of this novel), it’s entirely another level of anxiety to know that the sand littering the floor can erupt into a maelstrom of razor-sharp wind trying its damnedest to shred you to pulp.
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THRONE OF THE CRESCENT MOON by Saladin Ahmed

Throne of the Crescent Moon

By Saladin Ahmed
Hardcover
Pages: 288 pages
Publisher: DAW
Release Date: 02/07/11
ISBN: 0385343841

EXCERPT

Some readers might first discover Throne of the Crescent Moon through a review such as this one, others might be captured by the cover, yet others might hear about it through word of mouth. These are all common ways for a novel to find new readers, to catch the eye of potential fans. Throne of the Crescent Moon, however, has another aspect that might attract readers browsing at their favourite bookstore: the name of the author stretched large across the cover. Saladin Ahmed. In a genre dominated by Georges and Patricks, Robins and Brandons, Ahmed’s starkly Muslim name is an anomaly, a curiousity that promises to be something different, something exciting. Of course, a name is just a name, and the story between the covers of Ahmed’s debut could be a trite rehash of the typical kitchen-boy-saves-the-world novel that we’re all sick of, his ethnic background and religious heritage could have no impact on his novel, leaving readers with a story as prototypical as the cartoony cover art—but just cracking open the novel and reading the first page makes true on those promises. This is something different, something with balls, something worth getting excited about.

Throne of the Crescent Moon is the debut novel from acclaimed short fiction author Saladin Ahmed and follows one of the larger adventures of Doctor Adoulla Makhslood, the last real ghul hunter in the great city of Dhamsawaat who was first introduced to readers in Ahmed’s short fiction, including the wonderful Where Virtue Lives. Throne of the Crescent Moon is a Sword & Sorcery novel planted firmly in the tradition of the works of Leiber and Howard, and throws readers in alongside a cast of damaged, but eminently likeable heroes of sometimes questionable moral character (but always, in the end, with their hearts in the right place) and serves up more action, atmosphere and memorable scenes than many novels three times its length.
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