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Posts Categorized: Cover Art
It’s Raymond Swanland. Need I say more? Unlike other artists who really stick to their wheelhouse (*coughchrismcgrathcough*), I fall in love with Swanland every time he puts out a new piece of art. Sure, they’re all the same. But I can’t help but drool.
Perfect Shadow is currently available as an eBook. This cover is for the Subterranean Press limited edition coming later this fall.
Another Fantasy cover, another hooded figure.
So, why do I like this one when so many others have frustrated and left me feeling hollow? There’s panache, it’s got chutzpah, character, personality. Seemingly influenced by Michael Komarck’s famous portrait of Jaime Lannister, the main character of Lawrence’s trilogy just oozes charisma. He looks like an absolute jackass, but somehow you want to know more about him and the situation that led to him lounging confidently on a throne atop a pile of dead bodies. What’s he holding. Who is he?
It also helps that the cover is entirely illustrated, instead of a photo manipulation featuring Mark Charan Newton in a hood with a photoshopped sword of fireball super-imposed over his white knuckles.
Since the release of her first novel, The Hundred Thousand Kingdoms, N.K. Jemisin’s been nominated for the Hugo, Locus, Nebula and World Fantasy awards. It’s a tremendous novel (see my REVIEW), but I also think a lot of its success can be attributed to some of the early excitement and speculation created by the release of the gorgeous cover. Of course, cover art is never used as a metric when nominating for or judging these awards, but the novel gained some significant buzz among the blogosphere that likely wouldn’t have existed (especially for a debut novelist without much in the way of published short fiction) if not for the striking work of designer Lauren Panepinto and artist Cliff Nielsen.
I like these covers for much the same reason as Jemisin’s previous colour: impactful use of colour. As they stand (and this could very well change between now and the final polished versions), I feel that the typeface seems a little out of place, though I like that it’s been kept simple (instead of something like this, for instance). It could also be solved by using a foil-technique (as Orbit used on the paperback of Brent Weeks’ The Black Prism, also seen on the recent paperback release of Towers of Midnight by Brandon Sanderson and Robert Jordan), which generally looks sharp. In all, it’s a niggling complaint and I can’t wait to see the final copies in hand. Just as with The Hundred Thousand Kingdoms, I’m bloody excited for these novels based on the covers alone without even knowing what they’re about. I can’t think of higher praise for the designer/artist.
We are not alone.
The alien protomolecule is clear evidence of an intelligence beyond human reckoning. No one knows what exactly is being built on Venus, but whatever it is, it is vast, powerful, and terrifying.
When a creature of unknown origin and seemingly impossible physiology attacks soldiers on Ganymede, the fragile balance of power in the Solar System shatters. Now, the race is on to discover if the protomolecule has escaped Venus, or if someone is building an army of super-soldiers.
Jim Holden is the center of it all. In spite of everything, he’s still the best man for the job to find out what happened on Ganymede. Either way, the protomolecule is loose and Holden must find a way to stop it before war engulfs the entire system.
CALIBAN’S WAR is an action-packed space adventure following in the footsteps of the critically acclaimed Leviathan Wakes.
Yesterday we had the cover for Abraham’s Fantasy offering, The King’s Blood and today we’ve got his collaborative Science Fiction (alongside the awesomely fun Ty Franck), Caliban’s War, the sequel to Leviathan Wakes (which rules, REVIEW), the second volume of The Expanse trilogy.
I’ve been informed by Orbit that this is an early, unfinished look at the cover, so expect a nice layer of polish to be added to the final copy. I loved the cover for Leviathan Wakes and this one looks like it’ll be just as great (if not quite so impressionistic and soothing). Burning Coruscant certainly promises that the action will gain scope in the second volume. That said, I don’t think the typeface works so well with this title. My excitement for the novel continues to be sky-high.