
Art by Larry Rostant
I was yelled at quite significantly in the comment thread for the North American cover for The Daylight War, so I’m just going to mention that I prefer this cover, blue is nice, and then shut my mouth.

Art by Larry Rostant
I was yelled at quite significantly in the comment thread for the North American cover for The Daylight War, so I’m just going to mention that I prefer this cover, blue is nice, and then shut my mouth.

Art by Chris McGrath
Well, I applaud Tor for putting an old(ish) guy on the cover, and leaving his face unobscured by a silly cloak/hood. Otherwise, it looks a lot like a Dresden Files novel, and not a whole lot like the awesome covers that the series originally debuted with. I don’t mind Chris McGrath’s art, but I think it’s a poor fit for Scholes’ series.
And, to meet my ‘obscure videogame culture reference of the day’ quota, the man’s a dead-ringer for Jeff Green (not this Jeff Green), formerly of Computer Gaming World Magazine, then Games for Windows: The Official Magazine, then Electronic Arts, then PopCap Games, then, by virtue of the universe’s perverse sense of irony, Electronic Arts, again, thanks to their acquisition of PopCap Games. *Phew*
Not too shabby. I like that they’ve included a woman on the cover (presumably Inevra) without over-sexualizing her. There’s a nice amount of energy, equal to The Desert Spear, and you can never go wrong with a bold red/black colour palette. The dice are a little cheezy, but they’re important to the series, so I’ll let them pass. Worth noting, this cover was debuted by Entertainment Weekly, a large mainstream publication, rather than a genre blog, website or publication, a vote of confidence for Del Rey, Brett and the success of this series.
For those interested, Entertainment Weekly also has an excerpt of The Daylight War.
There’s just waaaaaaay too much pulptastic awesomeness in this cover not to post it. It’s the UK paperback edition, for those curious. Cheers to Pan Macmillan for having nuggets and a funny bone.
Yay for consistency and impact. I love the progression over the course of the trilogy from the tired-and-overdone hooded figure to this figure, cockiness replaced by ambition and power. Great stuff, and perfect for Lawrence’s trilogy. I still don’t like the title font, but, hey, you can’t win ’em all, can you?