Posts Categorized: News

exile-trilogy

“Yes, I will write Captal’s Tower,” Mealnie Rawn revealed to her fans on Kate Elliott’s blog yesterday. Anyone who’s followed Rawn’s career knows what huge news this is, but for those that aren’t familiar with Rawn’s Exiles trilogy, know that the path to the trilogy’s conclusion has been slow and fraught with peril.

“I’m very sorry it’s taken so long. My sincere thanks to all of you who have been so patient,” Rawn told fans. “I’m currently writing the fifth book in the Glass Thorns series, and after that my plan is to get to work on Captal’s Tower.”

The Captal’s Tower is the final volume of Rawn’s Exiles trilogy, which began in 1994 with The Ruins of Ambrai. Fans have been waiting for the end of Collan Rosvenir’s tale since the 1997 release of the second volume, The Mageborn Traitor. Personal issues, including clinical depression, prevented Rawn from completing work on The Captal’s Tower in the late ’90s.

This is, of course, fantastic news for fans of the trilogy, who have been waiting for 17 years for its conclusion, and great news for Rawn, who begins work on a project that has long cast a shadow over her other works of fiction during the past two decades. Time is often the best and only medicine for such illness. Though work on The Captal’s Tower stalled, Rawn has been a productive author during that period of time, publishing six novels and several short stories.

In the author’s note for her novel, Spellbinder, published in 2007, Rawn addressed the issue surrounding To Captal’s Tower. “To those who are disappointed that this isn’t another book — The Captal’s Tower or an offering the Golden Key or Dragon Prince universes — well, what can I tell you?” she wrote. “Life happens. So does clinical depression. […] When I was able to write again, I wanted — needed — to do something entirely different than anything I’d done before.”

As one can imagine, Rawn has faced criticism similar to that directed toward popular authors such as George R.R. Martin, Scott Lynch, and Patrick Rothfuss. However, the enthusiasm and hunger for The Captal’s Tower remains strong and speaks to the quality of the first two volumes in the trilogy. This seems as good a time as any to reread Neil Gaiman’s wonderful post about reader entitlement.

There is no release date for The Captal’s Tower, and Rawn has said on her website that it can take anywhere from “18 months to five years” for her to write a book. So, be excited, but also patient.

For more Melanie Rawn-goodness, Judith Tarr’s recently began a re-read of The Dragon Prince trilogy for Tor.com, which is a great way to revisit a genre classic.

loncon3-mini-logo

Unexpectedly, I’ll be attending LonCon3, this year’s WorldCon, hosted in London, England. The convention administrators were foolish kind enough to schedule me on some panels during the convention, and so my schedule for the weekend is posted below. If you’re at LonCon3 (and it seems that half of the SFF fans in the world will be there), I hope you’re able to come by for the panels. They’re all very interesting, and my panel-mates include some humblingly intelligent and amazing people. (And some guy named Justin Landon…)

Outside of these panels, I’ll be around the convention floor (well, wherever they allow you to drink beer, at any rate.) So, if you see me, come say “Hi!”

Note: The listed panelists are preliminary and subject to change. Read More »

lee-harris-tor-dot-com

Tor.com announced this morning that Lee Harris, Senior Editor at Angry Robot Books, will be joining their new short fiction imprint as Senior Editor. Harris will join Publisher Fritz Foy, Associate Publisher Irene Gallo, and Editorial Assistant Carl Engle-Laird at the imprint. They are still searching for a Publicity Manager, Marketing Manager, and Designer.

“The Tor.com role is full-time,” Harris revealed to me. This means that his time as Senior Editor at Angry Robot Books is coming to an end. This news comes just days after Osprey Media announced the closure of two of Angry Robot Books’ sister imprints: Strange Chemistry and Exhibit A. Harris maintained through his website that the timing is entirely coincidental. “The new role is an amazing opportunity for me, and if it had been advertised six months ago, or six months from now, I would still have applied. In a note to my authors I said that in many ways it’s the role that Angry Robot had been preparing me for over the last five years.”

Harris has been a part of the Angry Robot Books team since its earliest days, and leaving the imprint was not an easy decision for him. “Handing in my notice to Angry Robot was one of the hardest things I’ve ever done. It was a genuinely emotional meeting – Angry Robot is more than just my job, it’s my baby, and it always will be.”

With Harris moving to Tor.com in August, Angry Robot Books is on the search for a new Senior Editor. “Marc will need to find a replacement for me at Angry Robot. And you know what? Whoever gets that gig is going to have the time of their life.” Do you have what it takes? Read More »

Company Town by Madeline Ashby Madeline-Low-Res-02-e1348636903481

I’m a working futurist, so I’m supposed to know all about it. The problem was, I didn’t really have any answers.

Madeline Ashby’s debut novel, vN, caught a lot a readers by surprise with its sophisticated take on humanity’s convergence with the technology we’ve created. Stefan Raets of Tor.com lauded it for examining “a fairly complex future almost exclusively from the limited perspective of an immature and confused non-human character,” and Cory Doctorow said, “Ashby’s debut is a fantastic adventure story […] It is often profound, and it is never boring.”

The sequel, iD, established Ashby as one of the genre’s most exciting young writers. Now she’s back with a new novel, a standalone called Company Town.

“After I wrote the most fucked-up book about robot consciousness ever, followed by an even more fucked-up sequel, people started asking me about the Singularity,” Ashby told io9 when they asked about the inception of Company Town. “I’m a working futurist, so I’m supposed to know all about it. The problem was, I didn’t really have any answers. So I decided to write a fucked-up book about it. And sex work. And serial killers.”

Erik Mohr‘s cover design is as gritty and darkly attractive as Ashby’s description of the book. Read More »

tumblr_n714ychayj1rtg760o2_250tumblr_n714ychayj1rtg760o5_r1_250tumblr_n714ychayj1rtg760o1_250tumblr_n714ychayj1rtg760o8_r1_250tumblr_n714ychayj1rtg760o6_r1_250tumblr_n714ychayj1rtg760o4_r1_250tumblr_n714ychayj1rtg760o3_r1_250tumblr_n714ychayj1rtg760o7_r1_250

Images via Sokka’s Cactus Juice

The first two seasons of The Legend of Korra were problematic for a few reasons. Chief among these is its lack of an identity and defined set of goals. Avatar: The Last Airbender established its goal in the first episode: save the world from the machinations of the Fire Nation and its power-hungry leader. The Legend of Korra, on the other hand, can’t decide if it’s a coming-of-age story, an exploration of social and political revolution, a buddy-cop comedy, or an epic fantasy. Instead of dedicating itself to a tight focus, it splits its attention between all of these themes and doesn’t do any of them particularly well. Read More »