The High Druid's Blade Cover ArtIn recent years, Brooks has seen several revisions to the look and feel of his novels, even switching styles midway through a series because the first volume didn’t sell as well as expected (Armageddon’s Children to The Elves of Cintra). His most recent trilogy, The Dark Heritage of Shannara, used a bold, emblematic approach that I found quite appealing, so it’s interesting to see Del Rey shifting focus again to this new style. On first glance, I think it’s great all around. The typography and composition of the various cover elements is good, and the illustration is striking. It is sort of weird that the series title is larger than the book’s title and the two aren’t distinguished from one another, but that’s a small complaint. It’s funny, and somewhat telling, to see Terry Brooks all-of-a-sudden mimicing the look of Brent Weeks’ novels.

And I say all this despite the hooded man striking again. Even the big guys can’t get away from him. Who’s his agent, anyway?

Released alongside the cover is the first official blurb from the novel:

Paxon Leah never thought of the old family sword hanging above his living room hearth as anything other than an intriguing ornament—until his sister is kidnapped by a sorceror. Following the dark mage with nothing but this piece of steel to protect him, Paxon stumbles into a plot to remake the world . . . and accidentally unlocks the powers of the ancient blade.

In the most recent edition of ‘Ask Terry’ (a monthly feature where Brooks answers fan questions), Brooks revealed specifics about the plot that, when paired alongside this official description, paint a fairly clear image of the books’ plot:

The High Druid’s Blade is a stand-alone story, complete unto itself. But it is linked by a handful of common characters to two more stand-alones that will immediately follow. The principle link is complex and very dangerous sorcerer named Arcannen and a shared history of magic with Leahs and Ohmsfords. It will tie up a few loose ends from Witch Wraith, and it will further expand the growing conflict between magic and science. For the first time, the Druids and the Federation are mostly allies. The title to the book refers to a position created by the Ard Rhys of the Fourth Druid Order for a Druid protector.

In addition, Brooks’ official website reveals that The High Druid’s Blade, “features a Leah rather than an Ohmsford. It takes place about 100 years after the events of Witch Wraith. And it takes place largely in the Southland.”

Putting two-and-two together, it doesn’t take much to figure out that young Paxon is wielding the mythic Sword of Leah, imbued with the power of the druid’s, and likely fills the position referred to in Brooks’ answer. The book has been described to me as more character-focussed, with only two point-of-view characters (against Brooks more recent novels, most of which contained several POV characters), and less complex than usually expected.

I’m looking forward to this novel tremendously. After a few years of disappointment, Brooks had me grinning with his latest trilogy, which, if you ask me, is the best thing he’s written in a decade. Seriously, it’s that good.

Lou AndersCrown Books is described by Publishers Weekly as having a ‘somewhat checkered history,’ but recently hired Phoebe Yeh hopes to establish its presence as a Young Adult imprint. The first round of acquired books has been announced, and among them is a name that should be well known to Science Fiction and Fantasy fans: Lou Anders.

Anders is best known as the Hugo Award-winning editorial director of Pyr Books, an imprint of Prometheus Books known for beautiful covers, and publishing some of the industries most exciting young authors. Anders has also won acclaim as a short fiction editor, having worked on a few high profile anthologies, such as Swords & Dark Magic and With Great Power.

Frostborn, the first volume in a Norse-inspired young adult fantsy series called Thrones and Bones, is described as ” involving a dead Viking sea captain, wyverns, and a 1,200-year-old dragon.” Anders further describes the plot of the novel as being about, “[a] brave frost giant’s daughter who befriends a cunning boy in a land inspired by Norse folklore as they become embroiled against warriors, wyverns, and the past.” It is Anders’ first novel.

Yeh discusses Anders’ novel and his jump from adult fiction (he’s written and published adult short fiction) to young adult:

Due in August 2014, the novel, Yeh explained, “is a very commercial fantasy adventure. The author is a terrific author and editor of adult science fiction, but hasn’t written for children before. He brings a brand new voice to children’s literature.”

Frostborn is due for release in North America on August 2014 and will be followed by two books, Frostforged and an unnamed sequel.

Generation V by M.L. Brennan

Publisher: Roc - Pages: 320 - Buy: Book/eBook
Generation V by M.L. Brennan

Fortitude Scott has a sucky life. His girlfriend is cheating on him with his housemate, his housemate stopped paying rent months ago, his job at the Busy Beans cafe pays barely enough to keep him afloat, and his coworkers are unbearable – plus, he’s a vampire, but without any of the perks. In fact, Fort is more of a fledgeling vampire: sure, he occasionally drinks blood (though only his mother Madeline’s, and only under duress – the rest of the time, he’s a vegetarian), and his elder siblings, Chivalry and Prudence, can’t go out in the daylight, but until Fort transitions, he might as well be human – no super strength, no rapid healing, and definitely no supernatural cool factor.

Oh, and when he was nine years old, Prudence brutally murdered his human foster parents in front of him on Madeline’s orders, because Fort made the mistake of telling them what happened when he went to visit his biological family.

Somewhat understandably, then, Fort is hardly jumping for joy at the prospect of one day becoming a vampire himself. As much as possible, he keeps away from his family and everything they stand for; but when Madeline tempts him with an invitation to meet, for the first time, some vampires to whom he isn’t related  – thereby raising the possibility that not all of his kind are monsters – Fort’s curiosity gets the better of him. The decision quickly ensnares him in vampire politics of the bloodiest kind, and with no one else to back him up, Fort is forced to look for support from an unlikely source: Suzume Hollis, a dangerous kitsune with a wicked sense of humour whom Madeline has paid to keep him safe. When a young girl is threatened, can Fort and Suzume save her without jeopardizing their own lives? Or will they be trapped by yet more vampiric power games? Read More »

Words of Radiance by Brandon Sanderson

So, let’s talk about the recently revealed cover for The Way of Kin— err… wait, I mean Words of Radiance, the second volume in Brandon Sanderson’s Stormlight Archive. I won’t ever blame you for mistaking the two books, so, please, afford me the same luxury.

Now, let’s talk a little bit about one of publishing’s biggest catch-22 arguments. Fans have cried ‘foul’ time-and-again when publishers step in and change the style of a series’ covers midway through. It’s great when a completed series gets a re-issue, but, I think I can speak for most fans when I say that it’s nice to have a matching set of books on your bookshelf. On the flip side, though, there are a lot of cases of lazy design work, with the publisher, or at least the art department, jumping on board with what worked in the past and riding it until it keels over from exhaustion. A good example of this is the early cover for Brent Weeks’ The Black Prism. Orbit found huge success with Weeks’ first trilogy, in large part because of the striking covers. Back then, the hooded dude was still waiting tables, just trying to catch a break. Now, he’s everywhere, we’re sick of him, but he established a strong brand for Weeks and his Night Angel Trilogy. The first cover leaked to the public looked like a sequel to Weeks’ first trilogy even though it was an entirely new series. The cover was changed before publication. And then a new cover was issued for the recent trade paperback edition of the novel. It’s gorgeous. Orbit has done a great job of recognizing the need to create a strong brand for Weeks, but not at the expense of driving the concept into the ground. Read More »