Posts Tagged: Cover Art

A Memory of Light by Robert Jordan and Brandon Sanderson, art by Michael Whelan

It’s a little underwhelming for a Whelan cover, and, frankly, wouldn’t stand out from the crowd if not for being a Wheel of Time novel, but it’s still one of the better covers in the series. I also hold Whelan to the highest standards in the industry, so it’s not unreasonable to expect his style to be somewhat constrained trying to work inside the rules established by the previous thirteen volumes of The Wheel of Time. Compared to the art for the rest of the series, it stands out not only for its quality, but for the stylistic differences. It will never look quite right sitting against the Sweet covers, regardless of how much I love Whelan as an artist. For reference, you can see the mockup that I created using the original Darrel K. Sweet artwork. The full artwork is gorgeous: Read More »

Charles Vess' cover for The Eye of the World by Robert Jordan

So, this is amazing. I was first introduced to Charles Vess through his collaboration with Neil Gaiman on Stardust, wherein I fell immediately in love with his art. I’ve previously shown off some of this Wheel of Time sketches, but I wasn’t aware that the full-colour cover for The Eye of the World: From the Two Rivers was ever revealed. So pretty. Vess’s renditions of Rand, Perrin, Mat, and Elayne(? or a red-haired Egwene?) are as whimsical and full of character as I’ve come to expect from him. How have I not seen these before?
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NIGHTS OF VILLJAMUR by Mark Charan NewtonCITY OF RUIN by Mark Charan Newton

I’m fairly certain that Newton and the art team at Tor UK are just trolling me at this point. An old geezer and a melancholy Dashboard Confessional fan who doesn’t even know how to properly wear a bag with a shoulder strap? Le sigh. I’m far more interested in the fact that Newton spent some time combing through the first volume, Nights of Villjamur, and smoothing out some of the wrinkles:

There’s more, though: I’ve actually made quite a few (over a hundred) changes to Nights of Villjamur. Call it the ambitions of a first-time author, call it crap writing, but there were a few points of the text in this book that I believed caused a clunky experience. I’ve managed to iron many, many of these out, thankfully. It’s only a word or two here, a line there – not a complete re-edit, mind you, but enough to give me peace of mind that the most ridiculous of the excesses have now been removed.

This sort of thing happens all the time when authors are given a chance to tinker with their own work (David Anthony Durham recently mentioned that he’s done the same thing to the first volume of his Acacia trilogy). Nevertheless, it would be interesting to compare the revision.