The 2014 Hugo Award Voter Packet is now available to all voters!
Nominated for two 2014 Hugo Awards, A Dribble of Ink was invited to contribute a collection of essays/reviews/posts to the Voter Packet that best represent its writing and contributions during 2013. So, I went wild and created a collection that will fill even the staunchest of traditional fanzine publishers with pride! It’s 66 pages of A Dribble of Ink goodness.
“But wait! I’m not a voter,” you might be thinking. Worry not. While voters will receive this collection in their packet, I want to make it available to everyone as a thanks for supporting A Dribble of Ink in 2013. After all, without all of you readers (and my wonderful contributors) there’d be no nomination!
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Robin Hobb has unveiled new covers for the Liveship Traders trilogy, with art from French artist Didier Graffet, and they’re mighty fine.
The previous North American covers for the Liveship Traders series were, umm… less than ideal (though perhaps ahead of their time for artist Stephen Youll’s illustration of a strong woman on the cover, without her boobs hanging out), and these are a big improvement. It’s too bad that that beveled text has become part of Hobb’s brand, though.
Graffet’s work might be familiar to Hobb fans for his work on the French graphic novel adaptation of the Farseer trilogy. “I was delighted when I first saw his images of the Farseers on the various covers [Graffet] did for the Soleil graphic novels of The Farseer Trilogy,” said Hobb. “So I am delighted to now have his work on the US paperback covers.”
Today, Tor.com announced the launch of a new imprint, called, appropriately, The Imprint, dedicated to publishing “novellas, shorter novels, serializations, and any other pieces of fiction that exceed the traditional novelette length (17,499 words).” This is in addition to their award-winning library of short stories, and aims to further identify Tor.com as one of the leading short fiction (and, now, mid-range fiction) venues in SFF publishing. This is exciting and encouraging for a lot of reasons. First and foremost, more short fiction from a pro-paying market. Second, a glimpse at what the future of “traditional” publishing might hold.
Fritz Foy and Irene Gallo, will continue in their positions of Publisher and Associate Publisher of Tor.com, while Carl Engle-Laird is moving into the role of editorial assistant. Tor.com is also in the hunt for a senior editor, publicity manager, marketing manager, and designer. (Worry not, faithful readers! I’m starting my campaign trail right now.)
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I’m still all salty from posting that Erikson cover on Monday, so, to make up for it, here’s the gorgeous cover for Gollancz’s Fantasy Masterworks 30th Anniversary edition of Mythago Wood by Robert Holdstock.
“I think it treats the book as the modern classic it undoubtedly is, as well as reflecting the earthy vibrancy and primordial energy of the book.” said Darren Nash of Gollancz.
I think [Robert Holdstock] would have loved it.”
Robert Holdstock is considered one of modern fantasy’s most revered writers. He passed away in 2009 at the age of 61.
“The cover design is by Graeme Langhorne, who produced the beautiful series style for the re-launched Fantasy Masterworks, and the amazing artwork is by Grzegorz Domaradzki, who is responsible for many other lovely covers in the series.”
More of Grzegorz Domaradzki’s artwork can be found on his official website.
Publisher: Amulet Books -
Pages: 400 -
Buy: Book/eBook
Every time Nolan Santiago closes his eyes in Arizona, he opens them in another world. There, he sees through the eyes of Amara, a mute servant tasked with protecting Cilla, a renegade princess threatened by a terrible curse. Though Amara doesn’t know it, Nolan has been bound to her his whole life, a silent passenger who nonetheless sees her thoughts and feels her pain as though they were his own. Nolan’s family think he has epilepsy, seizures and hallucinations, but no matter how many pills he takes, Amara remains real. Until, suddenly, a new medication gives Nolan the power to take over Amara’s body. For the first time, he can communicate with the Dunelands – and with Amara. But Amara has enough problems without learning about Nolan: her life is a misery of torture and servitude, she doesn’t know how to feel about Cilla, and the assassins chasing them are closing in. How can Nolan help with that? And why does Amara’s master, Jorn, seem suddenly to be in league with Cilla’s enemies?
This is going to be a review in three parts: a spoiler-free overview, some spoilery analysis, and a spoiler-free conclusion – because, as you may have guessed, Otherbound is a tricky book to discuss without giving away the ending. Or so I found it to be, though others may not – it’s very much a Your Mileage May Vary issue.
But I’m getting ahead of myself. Let’s start with the basics, shall we? Read More »