Posts Tagged: Fantasy

Two Genres, One Author ... Not Bad.

How could I not embrace science fiction? Literature that took me outside the here and now, to look back from somewhere else.

I’ve written science fiction for a while. Okay, since I was ten, which was the year before the first episode of Star Trek aired. I’m a child of the Cold War, of monster movies (Rhodan!), and of the seemingly limitless vistas of technology and space. My textbooks changed while I was in school, adding the discovery of DNA as well as the perils of pollution. In my university room — in everyone’s — hung the first photo of this planet taken from somewhere else.

How could I not embrace science fiction? Here was literature that spoke of what was happening in the world around me — and what I hoped might happen. (Or not!) Literature that took me outside the here and now, to look back from somewhere else. When I discovered my first volume in the school library (Andre Norton’s The Star Rangers), it began more than a love affair. As a budding scientist, science fictional thinking, replete with questions and speculations and curiosities and wonders, was like coming up for air. When I became a biologist, it became my most trusted skill set. I could frame questions. I would search out answers. Findings, the fun ones, should challenge preconception. Science fiction, to me, has been how I talk and dream science. It’s made me a better communicator. It’s given me a venue to share my passion. Read More »

In an email from Sanderson (who has a very good reputation about communicating directly with his fans), the author confirmed that there are still plans for two more Mistborn trilogies. He suggests that the series will eventually be a ‘trilogy of trilogies.’ These do not include the “Wax and Wayne” books, though there are more of those coming, too. He says, “they’re not so much ‘prequel’ as they are a side venture into life between the first and second trilogies, but they will be used to provide some foreshadowing for the second trilogy.”

For the first time (I believe), Sanderson also described some early plot elements and setup for the next Mistborn trilogy:

As I envision it now, the second Mistborn trilogy, take place in a more technologically advanced version of the world, several hundred years later. They’ve progressed beyond steam technology to combustion engine technology, are building skyscrapers and that level of technology. It will follow the exploits of a team of Allomancers who are kind of like an Allomantic SWAT team, group of hybrid mercenary/deputized individuals who are brought in by the police to take out Allomancer criminals. The first book will deal with when they are called in to deal with a Mistborn serial killer. That’s how it starts. It will go bizarre from there, of course, but think guns, cars, skyscrapers, and Allomancers.

It’s amusing, and likely intentional, to see that Sanderson has swapped out the crooked band of criminals from the first Mistborn trilogy with a law enforcement-type group of mercenaries. Fans of Sanderson know that he’s halfway decent at writing enjoyable group chemistry, but the true selling point, in addition to his complex plotting, will be to see how he utilizes Allomancy in a semi-modern era. Readers had a taste of how Allomancy, a magic system that can manipulate metals, can affect and be affected by guns in The Alloy of Law, and it sounds like Sanderson plans to take this concept even further with the upcoming trilogies, as he advances the technology level in the world. in The Alloy of LawThe appearance of a mysterious character event at the end of The Alloy of Law is likely the first of these ‘foreshadowing’ moments that provide hints about the overall story arc of the upcoming trilogies.

There is no known release date for any of these novels.

Daggerspell by Katharine Kerr
The Daggerspell Reread and Review Series: Part One

Welcome, all, to the first part of the joint review and reread of Katharine Kerr’s classic fantasy novel, Daggerspell. In the introductory post to this series, Kate Elliott described Kerr’s Deverry Cycle as “a criminally under-rated and overlooked epic fantasy sequence [with] a keen sense of history, well drawn characters, and a complex plot.” So, how better to explore the complexities of a fantasy series than picking it apart, piece-by-piece? If you’re interested in learning more about Kate, me or this project, please take some time to read ‘Introducing: The Daggerspell Reread and Review Series, with Kate Elliott’, where we discuss our experience with Kerr’s work (None for me! Lots for Kate!), and our expectations for this reread/review series.

Structurally, we’ll break down the ‘what happens,’ then we’ve both written some initial impressions, and then follow-up with a response to each other’s thoughts. This allows the initial impressions, and our polar past experiences with the series, to remain independent, and then mingle as we discover how we’ve both reacted to the covered sections.

If you’re ready to get to the good stuff, continue on, just know, there are:

Spoilers Galore!

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Dangerous Women, edited by George R.R. Martin and Gardner DozoisGeorge R.R. Martin, author of A Song of Ice and Fire, recently spoke about his series and HBO’s television adaptation, Game of Thrones, at ConQuest 44. More specifically, Martin revealed details about his contribution to the upcoming companion book, The World of Ice and Fire, which was recently delayed by a year, now set for a Fall 2014 release.

Martin revealed that he was required to provide 50,000 words for the companion book, but, in the end, wrote nearly 250,000 words, which is nearly equivalent in length to A Game of Thrones. The average fantasy novel clocks in at around 120,000 – 150,000 words. So, it’s a lot. You can claim many things about Martin, but, with word counts like that, it’s difficult to take many of the various tired criticisms, such as the idea that Martin spends too much time enjoying life (Football games, conventions, editing anthologies, not being a hermit) and not enough time writing, are phooey. He writes a lot of words. They just aren’t the words that a lot of his fans and followers necessarily want him to write. At the end of the day, 250,000 extra words of A Song of Ice and Fire lore is great news, I’d say. Tower of the Hand describes the book, based on Martin’s comments:

The premise of the “World” book is that it is a copy of a tome presented to Robert just after the Rebellion. The “article” he read was written by a Maester Glyndon. Glyndon distilled his work from three other accounts of the conquest: one from a septon, one from a Grand Maester, and one from “The Tales of Mushroom” a court fool. George actually wrote all three of these pieces as well.

The extra words, a large novel’s worth, will be saved for “a project they are now calling the ‘GRRM – arillion.'” No real word on what this means, but presumably it would be a similar companion book released after the series is finished.

In addition, Martin also discussed ‘The Princess and the Queen,’ his contribution to an anthology called Dangerous Women, edited by Martin and Gardner Dozois and published in December 2013. ‘The Princess and the Queen’ is speculated to be the story of Rhaenyra Targaryen and the first Dance of Dragons, many years before A Song of Ice and Fire proper takes place. Like The World of Ice and Fire, Martin wrote significantly more for this story than he expected, submitting 80,000 words (to himself?), and editing it down to about 30,000 words in its final form. Further, he said that he hopes to write five or six more novellas about Dunk and Egg, one of which includes The She-Wolves, which places Dunk and Egg at Winterfell, with some likely crossover with some events that occur in A Dance with Dragons, so fans of the series, like me, have much to look forward to.

And They Lived Happily Ever After...

“You can’t deny myth. It’s too powerful. You have to embrace it.”

I didn’t come to writing through literature and creative writing courses. I was a singer and then a lawyer before I turned to writing. I had an instinctive sense of what was satisfying, (and really writing is about telling a story you’d like to read), but actually analyzing how you make something engaging and emotionally satisfying is a long process, and you never stop learning. This little essay on myth represents where I am in the journey of learning and refining upon which I’ve embarked.

So how did this musing about myth and to some degree fairy tales all start? It was because of a movie script and a video game.

I’ve been writing a movie for Universal Pictures based on the Wild Card books that I co-edit with George R.R. Martin, and there’s a father/son situation in the script. My protagonist was a man trying to live up to the legend of a deceased father and this shows up on about page three of the script. The world is filled with images and comments about this father. Ultimately my hero discovers his father’s not dead, and then I had to figure out how Frank was going to react emotionally. What would he actually do? Read More »