Who doesn’t love LEGO? As a child with a strong sense of imagination, and a tendency to be happy enough staying indoors on a rainy day, LEGO was a door that allowed me to enter into an infinite number of other worlds. My time with LEGO and my time discovering Tolkien’s Lord of the Rings didn’t quite intersect, but they’re both formative parts of my childhood and adolescence. Hell, I have a LEGO set of Gandalf’s carriage, from the beginning of Fellowship of the Ring sitting on my desk at work right now.
Based on the layout of Helm’s Deep featured in Peter Jackson’s film adaptation, this 150,000 brick set piece is astounding. The artists, who go by the names Rich-K and Big J, apparently, nail the atmosphere and scale of the conflict of one Lord of the Rings most iconic scenes. At the time these photos were taken, the model was about 90% complete, with an estimated four months worth of work. The time, money and personal investment that must have gone into this project is impressive.
More photos of this LEGO Helm’s Deep can be found on the artist’s MOCpages post.
Welcome to the Daggerspell Reread and Review Series, with Aidan Moher (your humble editor/blogger) and Kate Elliott (author of lots and lots of cool novels)! We thought it would be fun to bring two different perspectives (someone who’s read the series, someone who hasn’t), and explore Daggerspell together, comparing notes and reflecting on a series and world that are held dearly by many readers. We’re also hoping that, if you’re not familiar with Kerr, you might discover a new favourite author.
Daggerspell is the first volume in Katharine Kerr‘s Deverry Cycle, which Kate describes as her, “favorite post-Tolkien epic fantasy series.” Big words. She also says, “I believe Deverry could exist somewhere. After reading the books, I feel as if I have been there. I still think about events and dramatic moments in this series frequently, rather as I do memories from my actual life. That’s how much the narrative worked its way into my mind and heart.” Read More »
Via Gollancz, written by Lynch:
Locke Lamora is dying…
Locke and Jean barely escaped with their lives from what should have been the greatest heist of their career, in the port city of Tal Verrar. Now they head north, looking for sanctuary and an alchemist who can cure the poison that is slowly killing Locke. They find neither, but with their luck, money and hope exhausted, they receive an offer from a power that has never had their best interests at heart: The Bondsmagi of Karthain.
In exchange for the chance that Locke might be saved, the Bondsmagi expect the two Gentlemen Bastards to rig an election in their home city of Karthain. They will be opposed. The other side has already hired the services of Sabetha Belacoros, the one person in the world who might match Locke’s criminal skill, and the one person in the world who absolutely rules his heart.
Now it will be con artist against con artist in an election that couldn’t be more crooked, all for the benefit of the mysterious Bondsmagi, who have plans within plans and secrets they’re not telling…
I’m hoping that Lynch’s publishers are planning to release an intravenous version of this book. I need it. Now. Gah!
Publisher: Quillings Literary Services -
Pages: 485 -
Buy: Book/eBook
In 2011, I raved about The Winds of Khalakovo, the first instalment in Bradley P. Beaulieu’s The Lay of Anuskaya. I acquired the follow-up, The Straits of Galahesh, several months before it was released in 2012. Unfortunately, the first 50 pages felt impenetrable even after reading them a dozen different times. When Beaulieu announced the upcoming release of the final volume, The Flames of Shadam Khoreh, I committed myself to finishing the second novel in order to read the conclusion. Despite a long, arduous struggle through The Straits of Galahesh that never really abated, I’m so pleased to call The Flames of Shadam Khoreh a rousing success that exceeds all of the expectations placed on it by Beaulieu’s exceptional debut.
A rousing success that exceeds all of the expectations placed on it by [The Winds of Khalakovo].
Beaulieu’s third book begins nearly two years after the events of The Straits of Galahesh. War has moved from the islands to the mainland, and the Grand Duchy knows its time may be limited. The rifts between worlds grow ever wider, and Nikandr believes Nasim is the only one who can close them. I offer only the most basic of framework because to reveal more would result in endless paragraphs as to call Beaulieu’s narrative sprawling is a gross understatement. Before I go too far into what makes The Flames of Shadam Khoreh a success, I think it’s important to couch it in terms of what came before. Read More »
I’m going to tell you a story about llamas. It will be like every other story you’ve ever heard about llamas: how they are covered in fine scales; how they eat their young if not raised properly; and how, at the end of their lives, they hurl themselves – lemming-like- over cliffs to drown in the surging sea. They are, at heart, sea creatures, birthed from the sea, married to it like the fishing people who make their livelihood there.
Every story you hear about llamas is the same. You see it in books: the poor doomed baby llama getting chomped up by its intemperate parent. On television: the massive tide of scaly llamas falling in a great, majestic herd into the sea below. In the movies: bad-ass llamas smoking cigars and painting their scales in jungle camouflage.
Because you’ve seen this story so many times, because you already know the nature and history of llamas, it sometimes shocks you, of course, to see a llama outside of these media spaces. The llamas you see don’t have scales. So you doubt what you see, and you joke with your friends about “those scaly llamas” and they laugh and say, “Yes, llamas sure are scaly!” and you forget your actual experience. Read More »
