As a fan writer, I’m personally eligible for the ‘Best Fan Writer’ award, but this space will not be devoted to me as a fan writer, but A Dribble of Ink as a publishing platform. I think I’ve published some pretty cool stuff, by some very talented fan writers, and I’d like to bring attention to some of those articles. 2012 was a big year for this blog, and I feel that several of the articles published here, and listed below, contributed positively to the ongoing discussion of Fantasy, Science Fiction and Speculative Fiction in general.
Below, for your consideration, is a collection of asides, reviews and articles published on A Dribble of Ink:
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The idea that the race, gender, or sexual roles of a given work of secondary world, quasi-medieval fantasy were dictated by history doesn’t work on any level. First, history has an almost unimaginably rich set of examples to pull from. Second, there are a wide variety of secondary world faux-medieval fantasies that don’t reach for historical accuracy and which would be served poorly by the attempt. And third, even in the works where the standard is applied, it’s only applied to specific, cherry-picked facets of the fantasy culture and the real world.
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Let’s say my unexamined understanding of the European Middle Ages means I view the era as a monolithic block where the oppressed women of the time were in constant danger of having sexualized violence perpetrated on them, where women had no lives outside of their relationship with a man who gave them guardianship or money, and where they could barely be said to have personality because they were too oppressed and socially inferior and ignorant to have personalities. If this is what I think I know, then my attempts to read—much less write!—a fantasy story with women who do not fit those limited and limiting parameters will fail. Understandably so, since to write outside those assumptions means my normative ideas will have been transgressed. How unrealistic a more “diverse” story will seem to a reader or writer whose views of the past are mired in these sorts of errors. How flawed, even though it actually isn’t.
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It’s a nice cover. Clean, and reminiscent of high end literary journals without looking stale. It’s a cute play on expectations to change the letters of the keyboard as well.
Of the project, Landon says:
Our goal, if any such thing can be claimed, is to create a record of all the incredibly rich content being created on the web. We put out a call for submissions from the community at large and received over 200. Accounting for our own finds, that means well over 300 pieces of non-fiction that range from reviews, to essays about the field, to what it means to live the genre life (or something to that effect).
I’m very excited for this project, and contributed several handfuls of links and articles around the web for consideration by Shurin and Landon. I’m hoping to see some of these articles, written by my favourite online members of the fan community, make it among the 40-50 articles published in the collection. Speculative Fiction 2012, The Years Best Online Reviews, Essays and Commentary is a great step towards not only chronicling the best online fan writing, but also for providing a new audience for these writers. How great would it be to see a collection like this appear in packages distributed to members of major conventions, like WorldCon or the World Fantasy Convention? Speculative Fiction 2012, The Years Best Online Reviews, Essays and Commentary is set for release in late February or early March by Pandemonium Fiction.
When I reviewed Seven Princes by John Fultz back in 2011, I heavily criticized the sword and sorcery novel for lacking character, plot, and, well… substance. When I did that, I opened myself up to the criticism that a sword and sorcery novel lacks those things on purpose. They’re all about fun and adventure. I knew that was wrong, but didn’t have a way to prove it. I do now. Saladin Ahmed’s sword and sorcery novel, Throne of the Crescent Moon, is a superficial adventure novel at first glance. It also possesses tremendous heart and soul. Not soul in a Biblical sense, although there’s some of that too; I mean soul like Barry Gordy. Every note in Ahmed’s debut comes from an authentic place, a cultural awareness not unlike Motown in the 1960′s.
From a plot standpoint, Throne of the Crescent Moon is about a power struggle between the iron-fisted Khalif and the subversive Falcon Prince. In the midst of a brewing rebellion, a series of brutal supernatural murders strikes at the heart of the Crescent Moon Kingdoms. The 60-year old Doctor Adoulla Makhslood, is the last real ghul hunter in the great city of Dhamsawaat and his young assistant Raseed bas Raseed, is a holy warrior whose swordsmanship is matched only by his devotion to God. When they learn that the murders and the Falcon Prince’s brewing revolution are connected, they find themselves in a race to save the life of the tyrannical Khalif. Read More »
If you read A Dribble of Ink, chances are that you’re an entrenched Fantasy fan, yah? And, if you’re such a committed Fantasy fan, chances are that you love maps. I mean, don’t we all have a little Bilbo Baggins in all of us? I sure do. So, I pleased to run across a large collection of various Fantasy maps collected together on A Fantasy Reader, gathered together from across the ‘net.
Maps included among the many are:
Joe Abercrombie
Abraham, Daniel
Hobb, Robin
Jordan, Robert
Keyes, Greg
If you’re serious about maps, like I am, you’ll want to keep an eye on this Index of Fantasy Maps, which has been updated frequently since it first began in 2009. What are your favourite maps?
Fiction, it often seems to me is becoming more preoccupied with deaths, both death itself and the manner of it in nasty, gruesome ways. Why? Many reasons I’m sure – a more cynical age for one. Another is the western obsession with Youth and Beauty as though they alone can stave off Death and Decay. As a society we are more personally removed from death than at any time in history, yet via media at the same time we are exposed – at an emotional distance – to deaths we would once never have known about. Where once bodies were laid out by their family, washed, dressed, respects given, now they are hidden away in their coffins, dressed by strangers, almost as though we’re ashamed that one of us let death overtake him. It is no longer a part and parcel of our lives in the same way – ably demonstrated by my co worker, who moonlights as an embalmer. When she tells people, almost every reaction is a variation on ‘Ewww, you touch dead people!’. So, with death removed from our real lives, less matter-of-factly “there”, perhaps we delve into it more in fiction, because it’s one of the few places we have left. Read More »
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