Posts Tagged: Fantasy

Ann VanderMeer joins Tor.com as Consulting Fiction EditorAnn VanderMeer has been hired by Tor.com as a ‘consulting fiction editor,’ joining Patrick Nielsen Hayden and Liz Gorinsky in acquiring short fiction for the website. Tor.com says:

Since the beginning, much of our fiction has been acquired and edited by Patrick Nielsen Hayden; additionally, Liz Gorinsky began buying and editing for the site in 2010. Now we’re pleased to add Ann VanderMeer as a consulting fiction editor for Tor.com. […] She brings a sharp eye for adventurous fiction to all of her projects, and we look forward to the stories and authors she’ll bring to Tor.com.

Ann VanderMeer is one of the best in the business, and, after a public departure from the legendary genre magazine Weird Tales, it’s great to see her snapped up by another of the leading publishers of high-quality genre short fiction.

This is good news for any and all (like me) who are discouraged by the excessive turn-around times for Tor.com short fiction submissions, which, according to Duotrope, are currently sitting at a median of 299 days, well above the average wait time for SF/F/H short fiction venues. In comparison, Clarkesworld turns stories around in three days, and Lightspeed turns stories around in two days. Adding another acquiring editor, especially one with VanderMeer’s experience and expertise, should ease this period. Hopefully.

Equally, this is good news for anyone who likes good SF/F/H short fiction, as VanderMeer has a strong track record of acquiring and publishing quality stories from some of the genre’s best and brightest names.

Congratulations to both Tor.com and Ann VanderMeer.

MeOne of my favourite weekly features in the blogosphere in Mieneke Van Der Salm’s Blogger Query interviews. Every Wednesday, she pulls one blogger or reviewer and puts them to question. It’s a fun way to get to know some of the personalities in SFF fandom. And, well, this week was my turn.

A little snippet:

You’ve been quite outspoken about the lack of regard for blogs as fan publications and bloggers as fan writers, mostly in regard to the Hugos. Do you think regard for blogs as fan publications from awards and the way the publishing industry regards blogs are intertwined? Would increased respect from the publishing industry also increase respect for blogs and bloggers from awards committees or are awards too insular for such cross-pollination?

Yeah, I’ve raised a stink or two, and been successful at opening at least a small dialogue about the matter between the incumbent fan publications (fanzines) and the up-and-coming ones (blogs). It’s something I feel very strongly about.

To be honest, I wouldn’t be so quick to link the perception of blogs and online fan writers by the publishing industry to the struggles they’ve had in being recognized by the award committees and voters. Conversely, I’d say that publishers, large and small, pay a heck of a lot more attention to blogs and the online space than they do to the traditionally published fanzines. This is keeping in the tradition and origins of fanzines, which by their nature are independent and often focus more on exploring the natures and issues of fandom, than in being a part of the PR circle that runs the publishing industry, a pitfall that blogs have to be sure to avoid. Instead, you have a new generation of writers, many of them a bit younger, in their mid-twenties to late-thirties, that is trying to break into an area that is often run and heavily influenced by an older generation that has long been entrenched in their ideals and tendencies.

Whether they’re older men or not (and, in the case of the Hugo Awards, there are over a 1,000 eligible voters, so they’re not all old men, of course), old ideas and habits still exist. It’s always been a challenge for the young whipper-snappers to push against the older generation, trying to promote new ideas and the fast-moving world that has grown up around the original foundations of awards like the traditional awards. Right now, bloggers are those young whipper-snappers, and we just need to make enough noise to ensure that, when the time comes, voters take us as seriously as we deserve.

With all that said, I think the addition of SF Signal, which I’ve contributed to on occasion, on the recent Hugo ballot is a huge step for online fan writing and blogs in general. I hope to see a continued drive in that direction. Not at the expense of great fanzines and fan writers working in more traditional mediums, but as a joining of the two, recognizing the best writing, period.

If you want to hear a bit about my thoughts on reading, writing, the Hugos and blogging, I encourage you to read the whole interview.

Wards of Faerie by Terry Brooks

Wards of Faerie

by Terry Brooks
Hardcover
Pages: 384 pages
Publisher: Del Rey
Release Date: August 21, 2012
ISBN-10: 0345523474
Buy: Book/eBook

In the interest of full disclosure, I’m a moderator at the Official Terry Brooks Forums, a role which I take seriously and indicates my level of fandom for Brooks, but which has not coloured the following review.

In my review of Bearers of the Black Staff, the first volume of Brooks’ The Legends of Shannara duology, his most recent published work, I wrote:

[T]he real meat of Bearers of the Black Staff is in the familiar elements that begin to rear their heads. The Trolls, a race that’s played a maligned roll in many of Brooks other novels, are the stars of the show here, and much of their history is revealed to the reader, for the first time in the series. Their origin story, involving characters from The Genesis of Shannara is heavy-handed and would have been better left hinted at, but this is something Brooks fans should be used to by now. Astute readers will also begin piecing together hints of the Knights of the Word and their eventual transformation into the Druids that manipulate the world in later Shannara novels.

Ultimately, though, these familiar elements are also the novel’s (and Brooks’) weakest link. Terry Brooks has a vocabulary that he’s built up through his career. Not a vocabulary in the sense that you’d find it in a dictionary (though his prose isn’t exactly a bastion of variety, it’s serviceable and easy to read), but rather in elements, archetypes and plot devices that he uses to construct his stories. There’s next to nothing in Bearers of the Black Staff that we haven’t seen before in any of Brooks’ previous novel.

This dissatisfaction extended into the sequel, The Measure of Magic, and grew, leaving me with a bitter taste in my mouth as a longtime Shannara fan. I didn’t review The Measure of Magic, for fear of just repeating the exact same points I made in the first, with only a small measure of irony. Fast forward a year and I approached the release of Wards of Faerie with no little amount of trepidation. Since Brooks concluded The Voyage of the Jerle Shannara 10 years ago, with the exception of Armageddon’s Children, I felt disappointment with each of his novels, from mild to severe. Where was the Brooks I fell in love with as a boy, first discovering Fantasy? Was he gone? Or was I simply grown up, better read and unable to appreciate the type of fiction that Brooks writes? Read More »