We’re all fans of Game of Thrones, right? If you’re in my age demographic (say, mid-twenties to late-thirties), you probably have some pretty strong opinions about pop culture in the ’80s and ’90s, right? Hell, if you’re older than that, you’re probably smart enough to shake your head at those strange days. From Teenage Mutant Ninja Turtles, to The Fresh Prince of Bel Air, and Bel Biv Devoe, I’m a fan. And, apparently, so is Mike Wrobel, of Moshi Studio, who took it upon himself to create these hilariously perfect renditions of the Game of Thrones cast if they lived in the ’80s and ’90s.
Posts Tagged: Game of Thrones
Has death and destruction ever been so cherubic? These men of Westeros are another reason that I think Olly Moss deserves a spot on this year’s Hugo ballot.
Olly Moss is an English artist known for his inventive re-imaginings of famous movie posters, and his involvement with Campo Santo, a videogame development studio whose first game, Firewatch, was recently announced.
If the books and TV show seem to be revelling in the worst aspects of human nature, that’s partly because those aspects are what Westeros helps us to recognize in ourselves.
In a recent interview with Vanity Fair, George R.R. Martin discussed the past, present, and future of his mega-popular series, A Song of Ice and Fire, and its television adaptation, Game of Thrones. Some of the most interesting moments in the interview concern the future of HBO series and the potential that it might catch up with Martin’s work on the novels.
“The minute you have a series [of books] and a book comes out,” Martin explained (surprising no one), “people immediately begin asking, ‘Where’s the next book?’ And the more successful the series is, the more people ask that question, and the more pressure you begin to feel.”
Martin’s struggle against that pressure is one of the most publicized and scrutinized stories to hit SFF fandom is the past decade. Here’s a creator working on a seminal work of fantasy, adored by millions of people around the world, who is also crushed under the weight of his fame, criticized for his own fannish activities (such as watching football, or attending conventions) and condemned for not writing fast enough. As if works the calibre of those he’s producing can come over night.
Prominence of this issue hit its peak when Neil Gaiman, another writer who understands the intricacies of dabbling in many mediums, wrote an open letter to Martin’s detractors. “George R.R. Martin is not your bitch,” he famously said. “This is a useful thing to know, perhaps a useful thing to point out when you find yourself thinking that possibly George is, indeed, your bitch, and should be out there typing what you want to read right now.
“People are not machines. Writers and artists aren’t machines.” Read More »
We all love a good twist-on-formula, right? We also love interesting artwork? Imgur user Seiji recently published these wonderful (faux-) Japanese woodblock printing-style illustrations of iconic scenes from George R.R. Martin’s A Song of Ice and Fire (or, Game of Thrones, to you of the boob tube generation.)
“I thought it would be interesting to draw a retelling of the [A Song of Ice and Fire] universe as if it took place in feudal-era Japan,” said Seiji. “These drawings are inspired by the Ukiyo-e style (traditional woodblock printing).”
If you’ve not read the book, or seen the first season of the HBO show, Game of Thrones, beware spoilers. You can view the rest of Seiji’s woodblock-style renditions here.
Last month, I reported on a rumoured videogame adaptation of Game of Thrones by Adventure Game-kings Telltale Games. The developer, through CEO Dan Connors, confirmed the adaptation this week, indicating that it will be a
“multi-year, multi-title partnership” with Martin and HBO. The game(s) will be based on Game of Thrones, the television adaptation of Martin’s popular fantasy series, A Song of Ice and Fire. The first release will be an episodic narrative-driven adventure similar to Telltale Games’ other successful videogames such as The Walking Dead and The Wolf Among Us. It is unclear whether “multi-title” refers to these various episodes, or if Telltale Games has more in the works beyond this initial offering.
Polygon reports on the announcement made during VGX 2013:
Telltale Games’ agreement to make a Game of Thrones game based on the HBO television series will be a “multi-year, multi-title partnership,” according to a media release from the studio.
The collaboration between Telltale and HBO Global Licensing was confirmed during VGX 2013 when Telltale Games CEO Dan Connors said the studio will be taking advantage of all of George R.R. Martin’s fiction “to make something great.”
The official teaser trailer for the Game of Thrones videogame is available for viewing through Telltale Games’ official YouTube page. The first episode will release in 2014 for “home consoles, Windows PC, Mac and mobile devices.” Polygon has an interesting opinion piece about how Telltale Games might take Martin’s narrative and create a successful adventure game out of it. “Game of Thrones is filled with more characters to keep track of than nearly any other similarly popular franchise,” says Jonathon Dornbush. “Yet this scope doesn’t mesh with Telltale’s style to focus on a single main character or two and a core cast of secondary players. While Telltale could follow just one family or a single character’s plight, this choice would take away from the series’ signature style. If this is the case, it may be in Telltale’s best interests to tackle another fantasy franchise with far less baggage if they need to forsake Thrones’ main storytelling conceit.”
At this point, it’s safe to say that Martin’s creation has moved well beyond a book series and into the realm of licensing juggernaut. With revenues for these tangential ‘side’ projects possibly set to exceed that of book sales (if they don’t already), it’s uncomfortable to think about the idea that Game of Thrones might soon supersede A Song of Ice and Fire as the flagship Westeros entity as the popularity of the HBO adaptation continues to soar. At what point does this happen? And at what point does the divergence in canon between the show and the novels become and issue? Interesting times ahead for Martin and his friends.