Art by Donato Giancola
Along with Range of Ghosts, Elizabeth Bear’s The Eternal Sky Trilogy has featured some of the best Fantasy cover art in years. This is gorgeous, and I applaud Tor’s effort to promote and capture the ethnic diversity of Bear’s work and her characters. Beautiful, important and powerful.
Life, art by Keith Parkinson
Bestselling fantasy author Terry Goodkind is self-publishing his next novel, The First Confessor. The author has been releasing tidbits about the book via social media–he has shared links to two book trailers through Twitter and his Facebook page–and, on Tuesday, unveiled the title of the work. The book will be available on July 2.
Goodkind’s agent, Russell Galen, of Scovil Galen Ghosh, declined to offer any more details about the book, but confirmed that this will be the first title the author has self-published. Goodkind is arguably best known for his Sword of Truth series.
Without a lot to go on (except for one personal story that makes this whole situation extremely interesting to me, but will remain behind my sealed lips), I’m curious whether this is a decision made by Tor (which I doubt) that might reflect the poor sales of his recent novels. The Law of Nines underperformed so poorly that he abandoned that series to return to the Sword of Truth universe (though, really, he never left in the first place), and that novel was published by Putnam Adult, an imprint of Penguin (best known to Fantasy readers for their imprint, Ace), rather than Tor and Macmillan, Goodkind’s long-time publishers.
Or, is this a bold move by Goodkind, who has long felt that he is the master of not only his own domain, but all domains which intersect on the venn-diagram of his existence, looking to capitalize on the success of his name as a brand. I think we can all breath a sigh of relief to see Goodkind finally escaped from the tyrannical clutches of traditional publishers and will now be able to tell the story of “The First Confessor” without bending to the sway of Tom Doherty.
And it came to pass in those days, as it had come before and would come again, that the Dark lay heavy on the land and weighed down the hearts of men, and the green things failed, and hope died.’ From Charal Drianaan te Calamon, The Cycle of the Dragon.
In the Field of Merrilor the rulers of the nations gather to join behind Rand al’Thor, or to stop him from his plan to break the seals on the Dark One’s prison – which may be a sign of his madness, or the last hope of humankind. Egwene, the Amyrlin Seat, leans toward the former.
In Andor, the Trollocs seize Caemlyn.
In the wolf dream, Perrin Aybara battles Slayer.
Approaching Ebou Dar, Mat Cauthon plans to visit his wife Tuon, now Fortuona, Empress of the Seanchan.
All humanity is in peril – and the outcome will be decided in Shayol Ghul itself. The Wheel is turning, and the Age is coming to its end. The Last Battle will determine the fate of the world..
Can’t really comment on the synopsis, given that I’ve only read the first seven volumes of the series, but it was written by Harriet McDougal, Jordan’s widow and Wheel of Time overlady, and will appear on both the Tor and Orbit Books editions of A Memory of Light.
The cover itself is pretty, and fitting for the title of the novel, after all the previous volumes were black. It’s simple and classic, if predictable. Good enough for me.
It’s a little underwhelming for a Whelan cover, and, frankly, wouldn’t stand out from the crowd if not for being a Wheel of Time novel, but it’s still one of the better covers in the series. I also hold Whelan to the highest standards in the industry, so it’s not unreasonable to expect his style to be somewhat constrained trying to work inside the rules established by the previous thirteen volumes of The Wheel of Time. Compared to the art for the rest of the series, it stands out not only for its quality, but for the stylistic differences. It will never look quite right sitting against the Sweet covers, regardless of how much I love Whelan as an artist. For reference, you can see the mockup that I created using the original Darrel K. Sweet artwork. The full artwork is gorgeous: Read More »
So, this is amazing. I was first introduced to Charles Vess through his collaboration with Neil Gaiman on Stardust, wherein I fell immediately in love with his art. I’ve previously shown off some of this Wheel of Time sketches, but I wasn’t aware that the full-colour cover for The Eye of the World: From the Two Rivers was ever revealed. So pretty. Vess’s renditions of Rand, Perrin, Mat, and Elayne(? or a red-haired Egwene?) are as whimsical and full of character as I’ve come to expect from him. How have I not seen these before?
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