Posts Categorized: Review

Review

Review of The Prisoner of Heaven by Carlos Ruiz Zafón

By Aidan Moher July 10th, 2012
The Prisoner of Heaven by Carlos Ruiz Zafon

The Prisoner of Heaven

By Carlos Ruiz Zafón
Hardcover
Pages: 288 pages
Publisher: Harper
Release Date: 07/10/12
ISBN: 0062206281

I feel it only appropriate to begin this review with a note mentioning that Carlos Ruiz Zafón’s The Shadow of the Wind (REVIEW) is my favourite novel. I say this because it presents an inherent bias in me that won’t necessarily exist for the average reader, and is a double-edged sword in terms of setting up my expectations and, ultimately, determining this review of The Prisoner of Heaven, the first true sequel to The Shadow of the Wind, after 2009’s The Angel’s Game.

This bias worked against The Angel’s Game (REVIEW). My anticipation for the novel was sky-high, having first read The Shadow of the Wind only a few months earlier, I was desperately eager to spend more time in Zafón’s version of Barcelona, with his characters that I loved dearly. The bar was set impossibly high and, as the old adages often do, “the higher they are, the farther they fall” proved too true. My initial review of The Angel’s Game was positive (and I still think positively about the novel), but on reflection the flaws can’t be ignored and, as a follow-up to The Shadow of the Wind, The Angel’s Game was a disappointment. It stands to reason, then, that my expectations for The Prisoner of Heaven would be tempered somewhat. But, no. That little squealing fanboy in me couldn’t help but put Zafón’s latest novel on a pedestal, well before it ever hit store shelves. So, keep that in mind. I’m not to be trusted. For a bias is a wicked beast in the mind of a critic. Read More »

Review

Review of Thieftaker by D.B. Jackson

By Justin Landon July 3rd, 2012
Thieftaker by D.B. Jackson

Thieftaker

By D.B. Jackson
Hardcover
Pages: 336 pages
Publisher: Tor Books
Release Date: 07/03/12
ISBN: 0765327619

EXCERPT

Prior to reading D.B. Jackson’s (aka: David B. Coe) most recent novel, my only exposure to the idea of a thieftaker, or a private individual hired to capture criminals, was Julian Sandar from Robert Jordan’s iconic Wheel of Time. Interestingly, my only experience with pre-Revolution America in genre fiction also came by way of Robert Jordan in his Fallon Blood series written under the pseudonym Reagan O’Neal. Jackson’s Thieftaker lifts both limitations, deftly blending historical fiction and urban fantasy to create a who-dun-it dressed up with tricorn hats and blood magic.

Set in 1765 in Boston, Massachusetts, during The Stamp Act riots, Thieftaker follows the exploits of Ethan Kaille, Jackson’s protagonist and only point of view character. Making his living finding stolen goods, Ethan is also a speller, capable of turning organic material into magical energy. When he’s asked to recover a necklace worn by the murdered daughter of a prominent royalist, he finds himself in the middle of a conspiracy to upset the delicate balance between Britain and her colonies.

As that summation suggest, Ethan is the narrative impetus, and the vehicle that Jackson uses to snare the reader. His history, power, and moral center held my interest despite a standard crime fiction plot structure that won’t overwhelm anyone with its inventiveness. In particular, it’s Ethan’s back story and how conjurers interact in a world that reviles their existence which gives Thieftaker its unique flavor. Read More »

Review

Review of Prometheus, directed by Ridley Scott

By Aidan Moher June 14th, 2012
Prometheus, directed by Ridley Scott

Spoiler-free thoughts:

As someone who only watched the original Alien films for the first time earlier this year (yep, it’s true), I didn’t go into Prometheus with nearly so much investment or expectations as many of the other people clutter my twitter feed and Facebook wall. The day after the film was released, I was somewhat dismayed to see so many people poo-pooing the movie on twitter; despite a decent critical reception, fans seemed unimpressed by Ridley Scott’s return to Science Fiction and the Alien universe. Still, I went into the film last night without any exposure to trailers or any media (I didn’t even know Charlize Theron was in it!) and tried to throw preconceptions aside before I settled in my seat. Two hours later, I left the theatre feeling somewhat dirty, guilty for enjoying the film so much, despite its flaws, and wondering if I’d be shunned by the twitter-verse.

As an ensemble cast, I felt that the characters work (though they ain’t no Ripley and Newt), drawing obvious inspiration from the first two Alien films. It’s a shockingly beautiful film that deserves to be seen in theatres. All told, Prometheus is an enjoyable, gory, flawed film that crumbles under the weight of its predecessors (ascendents?) and utterly falls apart if you start to analyze the plot at anything higher than the book report of a fifth grader, but, if you cast that aside, there’s a lot to like. At least that’s what I choose to believe.

The fun begins after the jump. Watch for rambling, incoherent spoilers, or you shall be rolled over by a spaceship! Read More »

Review

Review of Blue Remembered Earth by Alastair Reynolds

By Justin Landon June 5th, 2012
Blue Remembered Earth by Alistair Reynolds

Blue Remembered Earth

By Alastair Reynolds
Hardcover
Pages: 512 pages
Publisher: Ace
Release Date: 06/05/12
ISBN: 0441020712

EXCERPT

Blue Remembered Earth. Great title, isn’t it? The evocative image of leaving Earth behind, only to remember its color in the blackness of space. It’s an image that resonates on a visceral level. It also perfectly describes the nature of the technological period imagined — the moment when Earth no longer becomes the center of humanity. Vast in scope and dense with character development and world building, Alastair Reynold’s newest novel is a return to Utopian science fiction whose story isn’t about the darker side of humanity, but the boundaries of our collective horizons.

Set one hundred and fifty years in the future, Africa has become the dominant technological and economic power. Crime, war, disease, and poverty have been banished to history courtesy of mandatory implants that curb and/or correct deviant behavior. While humanity has colonized the nearby planets, Earth remains the center of attention with known(ish) physics underpinning the whole operation.

Geoffrey Akinya is heir to the corporate super power that makes much of it possible. He’s also a loner, living on the family estate and conducting experiments on the endangered elephant population that lives there. When his grandmother and company founder, Eunice, dies, Geoffrey’s more entrepreneurial cousins task him to ensure the family’s name remains unblemished after mysterious assets come to light.

Entitled rich kids, a black sheep, an artist, the old guy, and a few insensitive assholes.

It’s really as simple as that. Blue Remembered Earth is a classic quest novel. One clue leads to the next, leads to the next, leads to an eventual big reveal that opens up a host of new possibilities for future novels. Given this standard narrative structure, Reynolds’s novel places a premium on thematic exploration, characterizations, and world building. The degree to which he does it makes the novel a rousing success despite a plot that’s as inventive as hyperdrive.
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Review

My early thoughts on the Game of Thrones RPG

By Aidan Moher May 25th, 2012

Game of Thrones RPG
Okay, I’ll admit it, I first loaded up Game of Thrones, a full-on Dragon Age-style RPG developed by Canadian/French developer Cyanide Entertainment, with some hesitancy. Like many Fantasy fans, I consider Martin’s A Song of Ice and Fire to be a pre-eminent work of Fantasy and place it among my very favourite pieces of fiction, regardless of medium. Though there is recent precedent for the adaptation of the series into other formats (particularily HBO’s television series and the Graphic Novel, adapted in part my Daniel Abraham), videogames have always been a difficult transition due to the non-linear style of storytelling that they often employ. Added to this, developer Cyanide Studio doesn’t exactly have the strongest back library of games and their previous attempt at a Game of Thrones videogame, A Game of Thrones: Genesis was poorly received (so much so that the publisher of Game of Thrones, Atlus, very clearly points out in the press material that this game was developed by an entirely different team at Cyanide!)

*yawn*

So, then, I booted up my PS3, eager but also weary of what I’d find. First impression? A twenty-plus minute mandatory install to my PS3’s harddrive. No flavour text or history to read through, no stirring music or pretty screenshots. Just twenty-plus minutes of a bar slowly filling up.

The graphics are pretty dire. While the art direction is decent at times (if a little over-the-top for Martin’s generally reserved world), the first environment (Castle Black) is bland and lifeless, textures are poor, the characters animate awkwardly, and the faces are almost as bad as an Elder Scrolls game. Further, thought this might be a PS3 issue, which has always Framerate is junky and there’s a noticeable amount of tearing.
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