Mahabharata: A Dangerous Game by Max Gladstone

Art by Nisachar

Mahabharata: A Dangerous Game

My enthusiasm and love for these characters and this story will serve for the purpose at hand: encouraging you, dear reader, to immerse yourself in the Mahabharata.

The last two iterations of this column have played it safe. I’ve read Journey to the West in two languages and studied it from a variety of angles, and Romance of the Three Kingdoms, too though to a lesser extent. I could continue in this vein—the next logical essay would be on Outlaws of the Marsh / The Water Margin, China’s great Robin Hood novel and one of Mao Zedong’s favorite books, followed probably by Dream of the Red Chamber for more domestic source material. (Or Jin Ping Mei, if we want to get the sexy-fun-times element in play…)

But while all these stories are great, I’m not as passionate about them as I am about the story I want to discuss now. The problem is, I’m nowhere near as cut out to write this essay as I was the first two—I don’t know the source language, Sanskrit, and I haven’t spent as much time studying the work’s cultural context. (I’m not ignorant, I just don’t have a four year degree, six years of language study, and three years in-country.) There’s also much more chance I’ll do inadvertent harm writing this essay, since the text I’m about to discuss is a live, and lived, religious document in addition to one of the greatest adventure stories, romances, war stories, and apocalyptic tales of all time.

That said, maybe my enthusiasm and love for these characters and this story will serve for the purpose at hand: encouraging you, dear reader, to immerse yourself in the Mahabharata. And I hope that will be worth whatever unintentional harm I do. Read More »

The High Druid's Blade by Terry Brooks

On Suvudu, Shawn Speakman, webmaster for Terry Brooks, reports on the first details about The High Druid’s Blade, the Shannara novel recently completed by Brooks and set for a 2014 release. Speakman says:

The High Druid’s Blade takes place a century after Witch Wraith. It is the first Shannara stand alone novel since 1996’s First King of Shannara. Terry has long been entrenched in long epic series. Instead, with Blade, he is telling a very different tale. Fewer characters being scattered to the winds of the Four Lands. Instead, Terry has crafted a more personal journey, of a hero unable to protect his family unless he unleashes the power of his ancestors.

Brooks also revealed on the tour that the main protagonist of The High Druid’s Blade will be a Leah, a family that has been integral to many novels in the series since The Sword of Shannara. This will, however, mark the first time that a protagonist of a (chronologically) post-The Sword of Shannara novel will feature a sole protagonist that isn’t of Ohmsford blood. The Leah family, thanks to events in The Wishsong of Shannara, are in possession of the Sword of Leah, a sword imbued with the magic of the Druids. Is there a connection here between the High Druid (who’s identity I know, but for fear of spoiling Witch Wraith, Brooks’ upcoming novel, I won’t reveal), and the Leah family? Additionally, Brooks said that the novel will take place in areas of the Southland that have not been explored in previous novels.

The Path of Daggers by Robert Jordan

Publisher: Tor Books - Pages: 704 - Buy: Book/eBook

If A Crown of Swords is the first WoT book that I bought, A Path of Daggers (October 1998 publication) is the first WoT book that I bought in hardcover, on its release date. I read the first seven volumes while I was finishing up my MA in History at the University of Tennessee in 1997, but this volume I purchased while I was halfway through my 16 month teacher education/student teaching coursework. I remember using the internet in the university computer lab to look for several release dates for books I had a vague interest in and I saw when The Path of Daggers would be released in a few weeks, so I used some of my student loan money that I had at the time (between classwork and my required 60 hours of classroom observation, no way was I going to be able to hold even a part-time job) and bought the book in a local mall. Read More »

The Republic of Thieves by Scott Lynch

We all know the labyrinthine story of Scott Lynch’s The Republic of Thieves. But who cares about that now. Lynch is done the book and it’s been guaranteed (by Lynch, his publishers and many others), that the book is coming this Autumn, come hell or high water. Lynch recently revealed some details about The Republic of Thieves, which might, hopefully, satisfy fans as they wait for the Autumn release:

When does The Republic of Thieves pick up chronologically?

The “present day” thread resumes the story a few weeks after the end of Red Seas Under Red Skies. The flashback thread shows several episodes from Locke’s early years, and then a long adventure from when Locke, Jean, and Sabetha were about sixteen.

So Sabetha is actually in this thing?

Yes, Sabetha Belacoros is finally revealed in person for the first time and is a major character in The Republic of Thieves.

Do we find out more about the Bondsmagi?

The Bondsmagi are fairly integral to the plot. We meet several more of them and explore their home city of Karthain.

Maybe more satisfying is the chapter just released by io9. It makes me feel all tingly just reading new fiction from Lynch. I’ve missed the bugger.

Time passed, days and months chaining together into years, and Jean Tannen joined the Gentlemen Bastards. In the summer of the seventy-seventh Year of Perelandro, two years after Jean’s arrival, a rare dry spell came over the city-state of Camorr, and the Angevine ran ten feet below its usual height. The canals went gray and turgid, thickening like blood in the veins of a ripening corpse.

Canal trees, those glorious affectations that usually roamed and twirled on the city’s currents with their long float-threaded roots drinking the filth around them, now bobbed in sullen masses, confined to the river and the Floating Market. Their silk-bright leaves dulled and their branches drooped; their roots hung slack in the water like the tentacles of dead sea-monsters. Day after day the Temple District was shrouded in layers of smoke, as every denomination burned anything that came to mind in sacrifices pleading for a hard, cleansing rain that wouldn’t come.

In the Cauldron and the Dregs, where the lowest of the low slept ten to a room in windowless houses, the usual steady flow of murders became a torrent. The duke’s corpse-hunters, paid as they were by the head, whistled while they fished putrefying former citizens out of barrels and cess-pits. The city’s professional criminals, more conscientious than its impulsive killers, did their part for Camorr’s air by throwing the remains of their victims into the harbor by night, where the predators of the Iron Sea quietly made the offerings vanish.

Read the chapter, ‘The Boy Who Chased Red Dresses,’ on io9.

Hugo Awards LogoOn the back of Justin Landon’s provocative thoughts on the 2013 Hugo ballot, the past 48 hours has produced several thoughtful responses, some in favour, some against and some carving their own path to find answers to the Hugo ‘problem’ (if such even exists). My thoughts are here. Here I’ve gathered together some of the responses complement and balance out Landon’s article and the resulting discussion (nearing a staggering 200 comments at the time of writing this).

In particular, Vixyish and Lavie Tidhar both encouragingly suggest that we should not be focussing on the issues of blockvoting and ‘the old guard’ (as the SMOF crowd is sometimes affectionately called), but rather on the ethnic and gender diversity that is beginning to appear on the ballot of what has traditionally been a very staid and conservatively white/male award. Lots of food for thought.

So, onward. Read More »