Posts Tagged: Cover Art

The Broken Eye by Brent WeeksThe Broken Eye by Brent WeeksThe Broken Eye by Brent WeeksThe Broken Eye by Brent Weeks

Some part of Weeks’ original (and screamingly fast) success is the result of the bold and unique (at the time, one must remember) covers for his original trilogy. Generally, a publisher is able to bring this sort of branding along with an author, but the hooded man (and the minimalist cover style) became so popular that Weeks brand was essentially stolen by the genre at large. Seriously, blame him for the hooded man, for he unleashed that demon on the world. Orbit has done a great job of evolving the look of the series to feel unique and impactfully branded, despite incorporating one of the most (nay, the most) overused tropes in Fantasy covers. The hooded man is prevalent, but the bold (and series-appropriate) splashes of colour, contrasted sharply against the black background, is striking and immediately recognizable as a Weeks book. Read More »

The High Druid's Blade Cover ArtIn recent years, Brooks has seen several revisions to the look and feel of his novels, even switching styles midway through a series because the first volume didn’t sell as well as expected (Armageddon’s Children to The Elves of Cintra). His most recent trilogy, The Dark Heritage of Shannara, used a bold, emblematic approach that I found quite appealing, so it’s interesting to see Del Rey shifting focus again to this new style. On first glance, I think it’s great all around. The typography and composition of the various cover elements is good, and the illustration is striking. It is sort of weird that the series title is larger than the book’s title and the two aren’t distinguished from one another, but that’s a small complaint. It’s funny, and somewhat telling, to see Terry Brooks all-of-a-sudden mimicing the look of Brent Weeks’ novels.

And I say all this despite the hooded man striking again. Even the big guys can’t get away from him. Who’s his agent, anyway?

Released alongside the cover is the first official blurb from the novel:

Paxon Leah never thought of the old family sword hanging above his living room hearth as anything other than an intriguing ornament—until his sister is kidnapped by a sorceror. Following the dark mage with nothing but this piece of steel to protect him, Paxon stumbles into a plot to remake the world . . . and accidentally unlocks the powers of the ancient blade.

In the most recent edition of ‘Ask Terry’ (a monthly feature where Brooks answers fan questions), Brooks revealed specifics about the plot that, when paired alongside this official description, paint a fairly clear image of the books’ plot:

The High Druid’s Blade is a stand-alone story, complete unto itself. But it is linked by a handful of common characters to two more stand-alones that will immediately follow. The principle link is complex and very dangerous sorcerer named Arcannen and a shared history of magic with Leahs and Ohmsfords. It will tie up a few loose ends from Witch Wraith, and it will further expand the growing conflict between magic and science. For the first time, the Druids and the Federation are mostly allies. The title to the book refers to a position created by the Ard Rhys of the Fourth Druid Order for a Druid protector.

In addition, Brooks’ official website reveals that The High Druid’s Blade, “features a Leah rather than an Ohmsford. It takes place about 100 years after the events of Witch Wraith. And it takes place largely in the Southland.”

Putting two-and-two together, it doesn’t take much to figure out that young Paxon is wielding the mythic Sword of Leah, imbued with the power of the druid’s, and likely fills the position referred to in Brooks’ answer. The book has been described to me as more character-focussed, with only two point-of-view characters (against Brooks more recent novels, most of which contained several POV characters), and less complex than usually expected.

I’m looking forward to this novel tremendously. After a few years of disappointment, Brooks had me grinning with his latest trilogy, which, if you ask me, is the best thing he’s written in a decade. Seriously, it’s that good.

Words of Radiance by Brandon Sanderson

So, let’s talk about the recently revealed cover for The Way of Kin— err… wait, I mean Words of Radiance, the second volume in Brandon Sanderson’s Stormlight Archive. I won’t ever blame you for mistaking the two books, so, please, afford me the same luxury.

Now, let’s talk a little bit about one of publishing’s biggest catch-22 arguments. Fans have cried ‘foul’ time-and-again when publishers step in and change the style of a series’ covers midway through. It’s great when a completed series gets a re-issue, but, I think I can speak for most fans when I say that it’s nice to have a matching set of books on your bookshelf. On the flip side, though, there are a lot of cases of lazy design work, with the publisher, or at least the art department, jumping on board with what worked in the past and riding it until it keels over from exhaustion. A good example of this is the early cover for Brent Weeks’ The Black Prism. Orbit found huge success with Weeks’ first trilogy, in large part because of the striking covers. Back then, the hooded dude was still waiting tables, just trying to catch a break. Now, he’s everywhere, we’re sick of him, but he established a strong brand for Weeks and his Night Angel Trilogy. The first cover leaked to the public looked like a sequel to Weeks’ first trilogy even though it was an entirely new series. The cover was changed before publication. And then a new cover was issued for the recent trade paperback edition of the novel. It’s gorgeous. Orbit has done a great job of recognizing the need to create a strong brand for Weeks, but not at the expense of driving the concept into the ground. Read More »

Steles of the Sky by Elizabeth Bear

I’m completely and utterly gaga over this series and this cover. Seriously, if you haven’t, read my reviews of Range of Ghosts and Shattered Pillars to find out why I think this trilogy is “one of the finest fantasy trilogies of the past decade.” It’s extra wonderful that Tor has wrapped the three books in such unique, gorgeous art from Donato Giancola. There are few books slated for 2014 release that I’m anticipating more than Steles of the Sky.