Posts Tagged: Fantasy

Hugo Awards LogoOn the back of Justin Landon’s provocative thoughts on the 2013 Hugo ballot, the past 48 hours has produced several thoughtful responses, some in favour, some against and some carving their own path to find answers to the Hugo ‘problem’ (if such even exists). My thoughts are here. Here I’ve gathered together some of the responses complement and balance out Landon’s article and the resulting discussion (nearing a staggering 200 comments at the time of writing this).

In particular, Vixyish and Lavie Tidhar both encouragingly suggest that we should not be focussing on the issues of blockvoting and ‘the old guard’ (as the SMOF crowd is sometimes affectionately called), but rather on the ethnic and gender diversity that is beginning to appear on the ballot of what has traditionally been a very staid and conservatively white/male award. Lots of food for thought.

So, onward. Read More »

Hugo Awards LogoSo, Hugo Award nominations. Every year, it seems to be both an invitation to bellyaching among those who want the award to take itself more seriously, to again become a fair and trustworthy snapshot of the genre’s best year-in-and-year-out, and an everybody-hug-circlejerk-ignore-the-trolls-you-deserve-this-i-voted-for-you twitter fun factory between nominees. Fun times, especially for frustrated Internet pundits like myself. This year’s ballot was particularly blah, though. I won’t go through each category because, well… I don’t have an opinion on a lot of it. But there are a few spots I’d like to explore.

My first thought on the list of nominations for the ‘Best Novel’ was a tepid lack of inspiration. The inclusion of Ahmed’s Throne of the Crescent Moon (REVIEW) is the lone bright spot, and also the only novel from my list of nominations to appear on the final ballot. Redshirts (REVIEW) is entertaining, but no more worthy of a Hugo than a fourth-or-fifth episode of Dr. Who appear in the ‘Best Dramatic Presentation (Short Form)’ category; I’m not surprised to see it there, but I am disappointed that another of Scalzi’s wash, rinse, repeat efforts was rewarded with a nomination. The novels from Bujold and Grant are included, for all intents and purposes, because of the name on their cover, rather than the text inside. I’m sure they’re both fine novels, but neither made waves in fandom or genre discussion this year. Kim Stanley Robinson is another Hugo darling, and 2312 was at least a significant release in Science Fiction, which, alongside David Brin’s Existence (a novel that some will should have been included instead of Robinson’s), reopened a style of hard Science Fiction that has a long legacy in the genre but little recent activity. Read More »

500x_beatleslotrAccording to First Things, J.R.R. Tolkien once nixed a film adaptation of his classic novel, Lord of the Rings, by the Beatles. Better yet, the film was to be directed by Stanley Kubrick.

Via Patheos, First Things lays out the original plans:

Once upon a time, the Fab Four—having slain the pop charts—decided to set their sights on the Dark Lord Sauron by making a Lord of the Rings feature, starring themselves. One man dared stand in their way: J.R.R. Tolkien.

According to Peter Jackson, who knows a little something about making Lord of the Rings movies, John Lennon was the Beatle most keen on LOTR back in the ’60s—and he wanted to play Gollum, while Paul McCartney would play Frodo, Ringo Starr would take on Sam and George Harrison would beard it up for Gandalf. And he approached a pre-2001 Stanley Kubrick to direct.

More details came from a conversation between Paul McCartney and Peter Jackson, who successfully managed to coerce the Tolkien estate into giving up the film rights to the trilogy (something that Christopher Tolkien still hasn’t lived down):

McCartney told Jackson about the failed scheme when the two bumped into each other at the Academy Awards: “It was something John was driving and J.R.R. Tolkien still had the film rights at that stage but he didn’t like the idea of the Beatles doing it. So he killed it,” Jackson told the Wellington Evening Post in 2002.

“There probably would’ve been some good songs coming off the album,” said Jackson.

That Tolkien didn’t care for the Beatles will come as no surprise to fans of either one, but Tolkien’s letters give us a hint that his opposition to the Beatles may have had a more personal dimension.

I think the real question, though, is whether the Beatles/Kubrick film would have managed to feel even more like an acid trip than the terribly awesome (or awesomely terrible) Ralph Bakshi adaptation.

Cover Art for Happy Hour In Hell by Tad Williams

It’s, um… orange. And fiery. To be honest, even six month after reading the predecessor volume to Happy Hour in Hell, The Dirty Streets of Heaven, I’m still unsure what I think of this direction for Williams. Equally, I’m unsure what I think of this cover. Apologies for the poor quality.

Crown of Swords by Robert Jordan

Publisher: Tor Books - Pages: 896 - Buy: Book/eBook

As I believed I mentioned somewhere earlier in one of my commentaries, A Crown of Swords was actually the first WoT book that I read. I was in the midst of my MA exams (I want to say I purchased the book during the week between my MA writtens and my MA orals) and I wanted something light to read. I was doing my usual late-night grocery shopping when I thumbed through the books in the display. One of them looked somewhat promising. Said it was one of several books by this author (I should note that this was the alternate paperback cover that didn’t feature any of Darrell Sweet’s artwork, or else I might not have ever picked up the book in the first place), but no indication if this series was a bunch of stand-alones or part of an ongoing serial. Since it was only $7 or so and I was bored, I picked it up and read it the next day/night or two between my readings on the Second International. Read More »