Posts Tagged: Fantasy

The Great Hunt by Robert Jordan

Publisher: Tor Books - Pages: 705 - Buy: Book/eBook

Last week, I prefaced my commentary-like review of the first Wheel of Time book, The Eye of the World, with explanations as to why I was embarking on this re-read project after a decade-long break. It would be redundant to repeat all of that, so if you have not yet read the original review, I suggest you start with that before reading this second, shorter review of the second volume in the series, The Great Hunt.

When I first read this book back in November 1997, I found it to be a major step backwards from the first novel. In the few re-reads I did between then and the autumn of 2000, I recall that my opinion of the book (and the third volume, The Dragon Reborn) did not improve at all. But what impressions would I take after reading it nearly ten years later?

Several of the same problems that I felt plagued the first volume were pretty much repeated in this second volume[, yet] despite this, in some ways, this story was more enjoyable than I had remembered it being a decade ago.

On the whole, I would still argue that The Great Hunt was a less enjoyable reading experience than was The Eye of the World. Several of the same problems that I felt plagued the first volume (too lengthy personal descriptions of minor characters, an uneven pace to the plot(s), the thin characterizations of the major characters and even more importantly, the enemies, the rather pedestrian prose) were pretty much repeated in this second volume, with a few curious additions. Yet despite this, in some ways, this story was more enjoyable than I had remembered it being a decade ago.

The story picks up roughly one month after the conclusion to the first novel. Rand al’Thor, one of three adolescent males from the backwater village of Emond’s Field, has discovered that he can touch the magical, tainted male side to the magical One Power (which runs the universe, in a way that I wonder might be analogous to the “dark matter” that makes up most of the universe’s mass). Furthermore, he may be the reincarnated soul of the dreaded Dragon Reborn, who in madness helped destroy civilization after a ten-year battle with the forces of evil. Rand is the hero (villain?) of prophecy, a mantle he does not want and makes quite clear, in both internal monologues and in conversations with characters, on numerous times. As I was reading this, I kept wondering to myself if perhaps the author went a little overboard with utilizing repetitive comments to reinforce the centrality of Rand’s conflict. It felt a bit forced at times to me and I cannot help but to speculate how differently (and perhaps, how much more powerfully) a reduction in the times Rand (and to a lesser extent, the other character and their own personal crosses which they bear quite vociferously) has to put voice to his conflicted thoughts. Read More »

On the Power of Fantasy Fiction: ‘A Single Dream is More Powerful than a Thousand Realities’

Art by John Howe

One evening, I had the chance to sit down with Steven Erikson and several other people over a glass of wine and dinner. It was a wonderful evening, full of laughs, camaraderie and discussion. Despite what you might think, me being a book blogger and Steve being a popular author, only a small portion of the evening was spent discussing fiction, books or writing. However, one short conversation, not with Mr. Erikson but with one of his friends, led me to think a lot about why I read, and when I read.

The conversation began with a question, “Do you read before bed?”

Some of us answered no, others, including myself, said, “Yes, I can’t fall asleep otherwise.” Those who answered “no,” had some interesting reasons, though they escape me now, but one of the other diners, a woman whose name I’m sorry to say I can’t remember, began talking about why she reads before bed. She made an observation that has stuck with me since. You see, she reads before bed because it allows her to put aside the events of her day, the events that might be coming the next day, and immerse herself in the emotions, problems and triumphs of the people living in the fiction she holds in her hands. Instead of falling asleep thinking about what needs doing tomorrow, or how her exam went poorly, she falls asleep wrapped in thoughts of these characters, wandering through these other landscapes. Read More »

A Journey From the West by Max Gladstone

Fantasy should be the broadest genre in existence. Fantasy writers get to create and transform to our hearts’ content. Not even the laws of thermodynamics bind us. Our imaginations are our only limits.

The problem is, the imagination’s limits are often harder than physical law. Writers are formed by experience, and interpret that experience into story using instincts developed reading, and hearing, stories, from early childhood. So, when a lot of Western folks turn to writing fantasy, Arthurian and Greek and Norse myths are the seeds they use to people and structure their imaginative worlds.

Which is fine! Each generation needs to remake the myths received from the previous generation. But sometimes writers and readers feel the limits of their traditions, and wonder, what else is out there, other than kings and earls?

In this three-part series I’m going to be writing about stories I think all fantasy writers and fans should know, other than the standard Celtic, Greek, and Norse sources. If you know these stories already, then good! I hope there’ll be something cool for you here anyway. If these stories are new to you, maybe these few posts will expose you to some amazing worlds. Read More »

Tor.com, one of the most respected short fiction publishers on the web, announced today that it will be increasing its short fiction publication to a weekly format. At four stories a month, this puts the magazine on par with other short fiction venues like Clarkesworld and Lightspeed in terms of volume. Great news for readers.

Since our launch in 2008, Tor.com has always been a competitive market for original short sci-fi and fantasy fiction. We’ve been able to work outside of conventional publishing boundaries, create original illustrations for the stories, and have now garnered both Nebula and Hugo Awards! By the end of last year, Tor.com doubled our editorial staff, both in acquiring editors and first readers for our open submissions file. Our fiction team consisting of Patrick Nielsen Hayden, Liz Gorinsky, Ann VanderMeer, Ellen Datlow, Bridget Smith, and Carl Engle-Laird are working harder than ever to bring you the best of what’s on the cutting edge of new speculative fiction! We’ve always been proud of our stories and now we’re proud to offer new ones once a week! Expect forthcoming new stories from Genevieve Valentine, Harry Turtledove, Cory Doctorow, and many, many more.

Irene Gallo, Creative Director for Tor.com and Tor Books, also confirmed to me that this indicates a turn-around/response time for short fiction submissions to the site, saying that the short fiction editors have been, “catching up on the back-log.” It’s good news for those with submissions in the queue, which is infamously long, and those who’re simply looking for new, good SFF short fiction. Though, given Tor.com’s previous track record, I expect that the short fiction will continue to favour established long- and short-fiction writers, and remain almost impenetrable to emerging writers who submit to the site.

The Eye of the World by Robert Jordan

Publisher: Tor Books - Pages: 832 - Buy: Book/eBook

Editor’s Note: The release of A Memory of Light by Robert Jordan and Brandon Sanderson brings to conclusion the long-running, much-lauded and oft-criticized Wheel of Time series. To mark this event, I’ve invited Larry Nolen, editor of The OF Blog, to republish his reviews of the entire series, one a week for fifteen weeks, on A Dribble of Ink. I consider Nolen to be one of the best online reviewers of Fantasy and Science Fiction, and his reviews of Wheel of Time, in the form of a ’10 Years Later’ re-read leading up to the release of The Gathering Storm, to be some of the most lucid and fair critical analyses of the series available online. You might not always agree with his reviews, but I think you’ll find yourself thinking about the Wheel of Time in ways that might surprise you. So, enjoy. -Aidan Moher

The Wheel of Time turns, and Ages come and pass, leaving memories that become legend. Legend fades to myth, and even myth is long forgotten when the Age that gave it birth comes again. In one Age, called the Third Age by some, an Age yet to come, an Age long past, a wind rose in the Mountains of Mist. The wind was not the beginning. There are neither beginnings nor endings to the turning of the Wheel of Time. But it was a beginning. (p. 1)

For tens of millions of readers, the above passage will be quite familiar. For the past twenty years, Robert Jordan’s Wheel of Time series has been one of the most popular epic fantasy series to be released, with sales of well over forty million copies for the thirteen main volumes, one novel-length prequel, and a related encyclopedia/artbook. It is a series that has legions of devoted fans, tens of thousands of whom have created websites, argued passionately (and some might wonder, pointlessly?) over various minutiae found within this sprawling multi-volume work, and several hundred at least who have named babies after characters or who have had tattoos of emblems found within its pages. However, this series perhaps has drawn one of the largest anti-fan crowds in a subgenre that is littered with negativity and borderline psychotic outbursts directed toward those who do not share in the perpetrator’s hatred for that series (or most any other series). Various forums devoted to discussing epic fantasy series have seen thousands of threads over the years devoted to the question of whether or not Jordan was a “sellout” and to analyzing (sometimes focusing more on ad hominem comments than actual constructive criticism) just where the series jumped the shark and why.

I certainly was no fan of the author’s prose, his characterizations, and my interest in the setting he created dissipated the more I considered the structure behind his constructed mythologies.

I myself began reading the series in November 1997 as a way of relaxing my mind during the brutal written and oral exams for my MA in History. I read the first seven volumes in paperback that year and proceeded to re-read them a few times over the next three years. Read the eighth volume, The Path of Daggers, upon its October 1998 release and I began to wonder what was actually transpiring here. Purchased the ninth volume, Winter’s Heart, upon its November 2000 release and I was so disinterested by the time that I read it that I never read any of the first volumes since then and have read the latest three volumes only fairly recently (2006 for the tenth volume, which was read more so I could write a series of satirical posts rather than because I actually wanted to know what was transpiring there, and 2009 for the last two volumes, since I was receiving a review copy of the latest volume a week before the official review date). While I was not a rabid detractor, I certainly was no fan of the author’s prose, his characterizations, and my interest in the setting he created dissipated the more I considered the structure behind his constructed mythologies. Read More »