Posts Tagged: Tor Books

THE ALLOY OF LAW by Brandon Sanderson

“Tor Books is eye-wideningly excited to announce that TWO new Mistborn novels by Brandon Sanderson will be released in late 2015!” announced Tor.com today. Sanderson fans were already aware that the first of these novels, Shadows of Self, was due for a 2015 release, but the announcement of a 2015 release for Bands on Mourning (which is, like, the most post-ironic black metal band collaborative name ever) is a pleasant surprise.

“If there’s one thing we’ve learned in ten years of working with Brandon, it’s that he almost always delivers more than we’ve asked for and that he loves to surprise us,” said Sanderson’s agent, Moshe Feder.

Tor Books’s proclamation that Sanderson’s releasing two novels next year is a tad misleading. Shadows of Self will hit shelves in October 2015, but Bands of Mourning won’t arrive until January 2016.

Shadows of Self and Bands of Mourning are the concluding volumes in Sanderson’s Mistborn pedantically-named spinoff series, the Wax and Wayne Mistborn tetralogy. Given my enjoyment of the first volume, The Alloy of Law, I’m looking forward to seeing what sort of fun Sanderson has with Wax and Wayne on their next outing(s).

UPDATE – 12-19-2014: Sanderson has revealed that there’s actually a third Mistborn novel, tentatively titled The Lost Metal, coming. This will bump the full Wax and Wayne Mistborn series to four books at its conclusion. The final three volumes announced here will be feature a more traditional trilogy structure, with The Alloy of Law acting as a prequel/set-up narrative. The trilogy will include: Shadows of Self, Bands of Mourning, and The Lost Metal. Sanderson then plans to work on the next Mistborn trilogy, tentatively set in a world that mirrors the 1980s (or, he hints, there’s a possibility that he’ll write something set in an amalgam of the ’40s.)

Gollancz has announced that Shadows of Self and Bands of Mourning will be released in the UK in October 2015 and January 2016 respectively.

trial-of-intentions-by-peter-orullian

I’m a big fan of Kotaki’s (he’s even written for A Dribble of Ink!), but there’s something here that doesn’t quite work for me. I miss Kotaki’s usual sense of energy and action, or the intricacies of his armour design and landscapes. The cover for Trial of Intentions is static and ponderous, and lacks for wonder, which is something I never thought I’d say of Kotaki’s work.

The gods who created this world have abandoned it. In their mercy, however, they chained the rogue god—and the monstrous creatures he created to plague mortalkind—in the vast and inhospitable wasteland of the Bourne. The magical Veil that contains them has protected humankind for millennia and the monsters are little more than tales told to frighten children. But the Veil has become weak and creatures of Nightmare have come through. To fight them, the races of men must form a great alliance to try and stop the creatures.

But there is dissent. One king won’t answer the call, his pride blinding him even to the poison in his own court. Another would see Convocation fail for his own political advantage. And still others believe Convocation is not enough. Some turn to the talents of the Sheason, who can shape the very essence of the world to their will. But their order is divided, on the brink of collapse.

Tahn Junell remembers friends who despaired in a place left barren by war. One of the few who have actually faced the unspeakable horde in battle, Tahn sees something else at work and wonders about the nature of the creatures on the other side of the Veil. He chooses to go to a place of his youth, a place of science, daring to think he can find a way to prevent slaughter, prevent war.

And his choices may reshape a world . . . .

What’s more exciting, though, are the plans that Tor and Orullian are cooking up for the relaunch of this series. Trial of Intentions is the follow-up to Orullian’s 2001 debut, The Unremembered. Five years later, he’s returning with an author’s preferred edition of The Unremembered, one that better matches the vision he had for the series from the get go (snafu’d by a labyrinthine journey through the politics of book publishing and editorial authority), and by all accounts is more streamlined, easier to sink into, and more focused on introducing readers to the series without overwhelming them with a tidal wave of world building.

The “Author’s Definitive Edition” of The Unremembered arrives on April 7th, 2015, with Trial of Intentions following on May 26th, 2015.

Words of Radiance by Brandon Sanderson

I wasn’t too impressed with the cover for Words of Radiance, the second volume in Brandon Sanderson’s mega-series, The Stormlight Archive. Despite being a big Michael Whelan fan, the cover felt phoned in, like it had gone through the ringer with the most vanilla focus groups ever.

I was doubly disappointed when the book released with a gorgeous painting from Whelan featuring Shallan, who features most prominently in the novel. Even the usually hyper-masculine /r/fantasy sub-reddit agreed. Why wasn’t that the cover? Sanderson answered that question today on Reddit’s /r/fantasy sub-forum: it wasn’t created until the cover was finished.

“Michael Whelan, the artist, is one of the few in the business who likes to read every book he does a cover for, if possible,” Sanderson explained. “In this case, he had to start working on the illustration before the book was actually done. So I sent him a description of the ending sequence, and he started sketching out the scene that eventually became the cover.” Read More »

dinoriders1

How cool is that image? It’s a bunch of dinosaurs equipped with laser beams and cockpits. Who cares if you have Dimetrodons and Pachycephalosaurus living in tandem? It’s dudes riding dinosaurs with lasers. Dino Riders was my Jesus as a kid. As a dino-obsessed youth, the idea of riding dinosaurs into battle was the thing of legends and far-off planets where anything was possible.

Today, Tor.com revealed not only 2014’s best cover, but also the winner of the 2016 Hugo Award for Best Novel: The Dinosaur Lords by Victor Milán. He and I might be a generation apart, but, in our love of dino steeds, Milán and I are clearly cut from the same cloth, and the legacy of Dino Riders is alive and well. Read More »

“The thing is,” I pointed out, “It’s all work. This is work.”

“The thing is,” I pointed out reasonably, “I’m working even when my fingers aren’t physically pressing the keys.” I pointed helpfully at my head, trying to indicate the furious labor going on inside. “Writing is not a linear process. It’s all work. This is work.”

My argument might have been more compelling if I hadn’t been standing in my boxer shorts at 2 o’clock on a Tuesday afternoon drinking an IPA and watching the local porcupine trying to snag that last apple without falling out of the tree.

“You may be working,” Jo replied, “but I want to punch you really hard in the neck.”

It seemed like an uncharitable thing to say to a man who was hard at work writing his second novel. It seemed doubly uncharitable given that Jo is my wife, and that our division of labor – the very division that led me to be standing on the porch in my boxers in the first place – was something we had hammered out together, something we had both happily embraced.

I pointed this out. The things she said next were even less charitable. Read More »