Posts Tagged: Science Fiction

Ascension: A Tangled Axon Novel by Jacqueline Koyanagi
Ascension: A Tangled Axon Novel by Jacqueline Koyanagi

Art by Scott Grimando

Okay. So, maybe I made up the quote in the title, it’s not from this book, but, well… it’s true, no? Just look at this awesome cover.

I think we can all agree that, in general, there is a lot of pretty awful Fantasy and Science Fiction cover art these days, right? Sure, there’s some great work being done (like this, or this), but there’s also a proliferation super generic, dudebro, fistbump, “Pass me my hood, brah”-style covers that do little to improve the mainstream opinion that Fantasy is for kids, or neckbeards living in their parents’ basement. Continue reading

Destiny Concept Art
The Many Faces of an Alien

Aidan was kind of enough to give me the pulpit and asked me to share my thoughts on why I think aliens make such great enemies/sources of conflict in science fiction. Now, before I delve deeper into this, I believe it is important to break down the roles of aliens within the science fiction genre.

I find that these truly alien “Aliens” tend to make poor primary plot devices since readers need to make some sort of connection with antagonists in order for them to be effective enemies.

Aliens are portrayed usually in one of two ways. First, in the true sense, they are introduced as something completely foreign to Earth and our way of thinking. We tend to have a difficult time grasping their physiology, method of thinking, and purpose behind their logic. I find that these truly alien “Aliens” tend to make poor primary plot devices since readers need to make some sort of connection with antagonists in order for them to be effective enemies. Good storytelling requires the reader to sympathize or understand the characters in a book. Otherwise, the alien just devolves into being an antagonist for antagonists’ sake. Or in the words of Tropic Thunder, it’s like going “full retard.” The exception to that is if these antagonists are there only to serve as a plot device to reflect the focus of the story back onto the protagonist. It’s not about the goal, it’s about the journey sort of storytelling.

The second way that aliens are portrayed in science fiction is to make them not alien at all and uses them as a literary vehicle to explore social issues within our culture and society. Usually, the author does this a safe distance by hiding behind the façade of portraying an alien culture, but can delve deeply into lingering prejudices and social stereotypes. Continue reading

The Lowest Heaven, edited by Anne Perry and Jared Shurin The Lowest Heaven Details, art by Joey Hifi

Each story in The Lowest Heaven is themed around a body in the Solar System, from the Sun to Halley’s Comet. Contributors include Alastair Reynolds, Kaaron Warren, S.L. Grey, Lavie Tidhar, Jon Courtenay Grimwood, Sophia McDougall, Maria Dahvana Headley, Adam Roberts, E.J. Swift, Kameron Hurley and Doctor Who’s Matt Jones.

The stories are illustrated with photographs and artwork selected from our world-class collection, while the book’s cover and overall design are the work of award-winning South African illustrator Joey Hi-Fi. Joey has provided us with an exclusive Q&A about how he created the design for the cover artwork.

In collaboration with Royal Museums Greenwich, Jurassic London is publishing this anthology on June 13th, 2013 to celebrate the mysteries of our solar system. I’m a great fan of what Perry and Shurin are doing at Jurassic London, and this appears to be one of their most accomplished publications yet. In discussion with the, artist Joey Hi-Fi, explains where the idea for map-styled art originated,

With The Lowest Heaven being an anthology, the brief was to create a piece of artwork that would tie all the stories together. Since the book features stories based on various celestial bodies in our Solar System – creating a bespoke solar system map seemed like an interesting way to do that.
Plus, having a fascination with all things cosmic (bordering on Kosmikophilia), I couldn’t resist. I used to draw maps of alien solar systems as a kid – peppered with space battles of course. So this is a childhood dream come true.

I was inspired by the wall hangings in the National Maritime Museum collection. These were produced by the Working Men’s Educational Union in the 1850s and based on astronomical themes. The hangings were printed lithographically on cotton, which gives them an interesting appearance. I liked their simple, yet striking design. One in particular (see jpeg) formed the basis of my design.
I just took a more modern approach – if you can call it that. My map has more of a 1950s aesthetic as opposed to one reminiscent of the 1850s.

It’s… gorgeous. Ethereal, mysterious, adventurous and worthy of hanging on a wall. Now, the big question is, can The Lowest Heaven, published by Jurassic London, which is co-founded by Jared Shurin and Anne Perry, the same duo behind the Kitschies, win an Inky Tentacle at the Kitschies for ‘Best Cover Art’? ‘Cause, well, there’s a damn good chance that it’ll deserve it. I’ve said it before recently, and I’ll say it again, I’d be hard-pressed to find a current cover artist who’s doing better, more consistent, and astonishing work than Joey Hi-Fi. Everything the guy touches is golden.

tainted-city-chimera

The Tainted City/Chimera

By Courtney Schafer/T.C. McCarthy Paperback Release Date: 20120301 Pages: 400 Publisher: Night Shade Books/Orbit Books ISBN: 0316128155 Buy: Book/eBook

When I began writing reviews, I wasn’t sure if anyone would read me, or if I’d ever get review copies. I did, eventually. These two books, reviewed here together, are sequels to the first review copies I ever received: The The Tainted City by Courtney Schafer, sequel to The Whitefire Crossing, and Chimera by T.C. McCarthy, sequel to Germline and Exogene. I write about them together not because of their coincidental significance in helping to establish me as a critic, but because of the vastly different styles between the two and the fact they ultimately succeed for the same reason.

The Whitefire Crossing, Schafer’s debut novel, is an adventure novel about smuggler Dev, his human cargo Kiran, and a blood mage looking to escape his powerful mentor. A mountain climber herself, Schafer spends most of the novel in the Whitefire Mountains, her characters crossing the natural barrier between two nations with very different ideas about the proper use of magic. There’s a joy to the writing that comes from Schafer’s own love of the outdoors, but more than that there’s a general sense of wonder and excitement to the entire project. The Whitefire Crossing ends on an intriguing note, with Dev and Kiran now in the urban jungle fighting a political enemy somewhat divorced from their previous conflict. Continue reading

Acts of Caine by Matthew Stover

Orbit Books announced today that Matthew Stover’s Acts of Caine novels, beginning with Heroes Die, will be arriving, as eBooks only, in the UK for the first time. They say,

All four books in the Acts of Caine series – HEROES DIE, BLADE OF TYSHALLE, CAINE BLACK KNIFE and CAINE’S LAW – will be released digitally in the UK & ANZ on 27th May 2013.

This is good news for reading in the UK. I’ve not read the series (SHAME ON ME!), but they come highly recommended and the ebay prices for the earlier novels are, well.. outrageous. I should really sell my copies. Releases like this, eBook only, are a great way for out-of-print books to come back into circulation and find a new audience among those who previously couldn’t find (or afford) to read them. It’s also one of those fun times to think about the fact that publishers continue to try to convince the world that eBook publishing costs are similar to hardcopy publishing and distribution costs. The novels are already available as eBooks in the US and Canada.

But, can we please talk about these covers for a moment. I mean, I’m fairly certain that I’m being very specifically trolled by the art department at Orbit Books UK. Four hooded, bodiless men staring pensively menacingly at the reader, daring them to read what, underneath, must only be the most bro-tastic, grimdark, grimy, gritty, dudebro novels in the world? WTF. But, well, with a lineage like this, can I really expect any less?