Posts Tagged: Tor Books

A Fantasy Foodie
Bakers’ Dozen

Last time I visited A Dribble of Ink, I wrote about worldbuilding in the air and monsters. Aidan asked me to return and talk about food in fantasy, which I do fairly regularly for my interview series Cooking the Books.

Running a food-oriented interview series makes me think really hard about food in every book I write, including Updraft (Tor 2015), because I don’t want to suddenly have a cow-based product (like milk) appear in a world that has not seen a cow in forever, and where a cow would have to scale a sky-high tower made of bone to get that milk there. NO that would be bad and has never happened, ever. (Thank you again, brilliant copy editor Ana Deboo, for, ehrm … Completely Unrelated Reasons.)

So when Aidan asked, I began to think about those Fantasy Foodies who get it right — and who make our mouths water in the process. Here are thirteen1 of my favorites (there are many more, but the list grew unmanageable), in alphabetical order, and I’ve given you some amuse-bouche quotes to go with them. Read More »

Happiness for a Fish

Zhuangzi and Huizi cross a bridge over the Hao river. Minnows dart below, silvery and swift. Zhuangzi leans so far over the railing he almost falls. “They swim about so freely—they go wherever they like. That’s happiness, for a fish.”

Huizi crosses his arms; he realizes he’s wrinkling his silk gown, and crosses his arms differently so the gown’s sleeves hang smooth. “You’re not a fish,” he says. “On what basis do you claim to know what fish like?”

Zhuangzi turns back and raises one eyebrow in that way he knows pisses Huizi off. “You’re not me. On what basis do you claim to know what I know?”

We’ve all been there.

We sit across from a friend or an enemy at dinner, standing beside an acquaintance in a bar, we lean against a con party wall, we walk side by side along the river with a lover or a friend. Maybe the conversation skidded out when one of us mentioned unions or the inheritance tax, expecting reflexive “oh sure” agreement and finding a defensive, pointed entrenchment; maybe we’re talking about our feelings and they’re not listening; maybe they said something we find unconscionable, or the other way round. And we feel that hot pressure behind our forehead, because they are just… not… getting it.

We’re homo sapiens on paper, but sapientia’s worth squat without communication. When the first proto-human had her first thought, she looked around for someone to share it with. How many times do you think we, as a species, got that far without reaching the next step—without managing to say “Hey, check this out?”

Cognition research suggests that animals do a lot more of it, cogitating I mean, than we used to think, which won’t surprise anyone who’s tried to keep a poodle in their back yard, so it’s hard to say when that leap happened. We made it back when we were habilis, if not earlier. (And we’re not the only ones who did—whales have languages and dialects.) But still, every once in a while I think about those occasional isolated nodes, the stars that burned before there were other stars to shine against. Think about the loneliness of having a thought and not being able to pass it along.

And we go back there again and again—at the table, at the bar, near the wall, by the riverside, and for all our hundreds of thousands of years of practice, the gap from mind to mind seems uncrossable.

How do we talk to one another? Read More »

Updraft by Fran Wilde

Publisher: Tor Books - Pages: 368 - Buy: Book/eBook

Fran Wilde’s Updraft is set in a world unlike any I’ve visited before. High above the clouds, a city of bone scrapes the heavens, growing ever higher in its race to escape the blood-stained land below. People fly on wings of leather and bone, trading commodities and news between tower-based communities separated by miles of bottomless sky. Threats abound — including a sky that will (literally) swallow you whole in its toothy maw — but nothing is more dangerous than the ambitions and hidden loyalties of the people you most trust.

Updraft is a novel about family and privilege, succeeding through an almost overwhelming sense of empathy and courage. The novel’s protagonist and narrator, Kirit Densira, is a plucky youngster who idolizes nobody more than her mother Ezarit, one of the bravest traders in the bone city. Like her mother, Kirit is a boundry pusher, a trait quickly landing her in trouble with the Singers — the magic-wielding, iron-fisted governing body who rule from the Spire, a monolithic tower at the centre of the city. Kirit’s unending drive to upset Singer traditions, and to spill their secrets, is the lynch pin for the novel’s frenetic, politically-charged plot. Read More »

Intentions
(or, This is What I Meant)

What if I wrote an epic fantasy series that grounded readers first in the familiar, then took them to the stuff I’m doing that I feel is unique and new?

The journey to Trial of Intentions began in the year 2000. It started with a simple notion: What if I wrote an epic fantasy series that grounded readers first in the familiar, then took them to the stuff I’m doing that I feel is unique and new? That journey takes its next step on May 26th, when Trial of Intentions is released. But like any good story, there’s much more to it than that. And some of it is painful.

About the time I wrote the first book of the series, The Unremembered, I landed a literary agent. I won’t share his name. Suffice it to say he’s a noted agent in the field of science fiction and fantasy. He decided to represent me on the strength of a short story collection I’d had published by a small press. So, cool, right?

As we got to know one another, I shared with him my desire to write and publish books in horror, science fiction, thriller, and even (gasp) mainstream, in addition to fantasy. He nodded sagely to all this.

When I turned in the manuscript to book one of my epic fantasy series, he proceeded to tell me we should shelve it, and that I should focus on my thriller ideas, which he said he liked very much. I think my brow pinched in confusion. I’d just finished a book. He could go market it. Sell it. Make a commission. But I saluted and went off to write the thriller books that I was also eager to write. Read More »

john-scalzi

Via the New York Times, John Scalzi and Tor Books announced a new deal for thirteen novels worth a whopping $3.4 million. “Mr. Scalzi approached Tor Books, his longtime publisher, with proposals for 10 adult novels and three young adult novels over 10 years,” revealed John Schwartz of the New York Times.

Some of the included novels will be set in the same universe as Old Man’s War, and at least one will be a sequel to his most recent novel, Lock In. Scalzi’s editor at Tor, Patrick Nielsen Hayden, says that though Scalzi has never had a No. 1 bestseller, he “backlists like crazy.” Nielsen Hayden then revealed that Scalzi sells over 10,000 books a month, which is a very respectable number. “One of the reactions of people reading a John Scalzi novel is that people go out and buy all the other Scalzi novels,” Hayden said.

Scalzi’s Red Shirts, a satirical science fiction, won the Hugo Award for “Best Novel” in 2013.

“My celebration, personally, has just been standing around,” Scalzi told the New York Times. “And my wife saying, ‘Yes, now go take out the trash.’” It seems Scalzi’s trademark dry humour will remain intact, even under the weight of this mega deal.