
Art by Julie Dillon
Last week Aidan wrote a post stating, quite simply, that he had decided to take the Goodreads Challenge to read a certain number of books this year. He also wrote that he was going to consciously strive for “an equal split of gender” in his reading. There was no judgment of others’ reading habits in the post, just a pledge on his part to find more female authors and diversify the range of novels he was reading. And while some commenters applauded Aidan’s idea, others found it problematic, if not implicitly damning of their own method of choosing novels to read. A spirited discussion ensued and as I followed it I wondered about my own reading patterns and habits in relation to balance and diversity.
I read a pretty narrow range of fantastic fiction, mostly space opera and epic fantasy, when I started reading fantastika intentionally. I had a soft spot for sword-and sorcery and for dystopian writing, for planetary romance and, briefly, military SF. Early in my mature reading life (early 1980s) I was fortunate to be pointed to authors from more diverse backgrounds – authors such as Delany and Disch and Russ – but they were a few different voices in a much wider realm of heroic fantasies and crackerjack adventures. It took some conscious thought to branch out further into the much wider field of fantastika. It was exciting and comfortable to keep reading the literary descendents of Asimov, Heinlein, and Bradbury, but I soon felt like a magpie looking for more shiny things that could line my nest. And that was not what I was looking for out of literature. Read More »



