Posts Categorized: News

Red Country by Joe Abercrombie

‘Some men just like to burn,’ said Lamb.

Red Country by Joe Abercrombie

Thanks to Joe himself, we have an early look at his sixth novel, a standalone called Red Country, that mixes traditional Fantasy with a Western motif. Early word is that Red Country is one of Abercrombie’s best novels, though after being lukewarm on Best Served Cold and hearing conflicting opinions on The Heroes, I’m still not sure what to think of that. Either way, the excerpt looks good.

You can read the excerpt from Red Country on Joe Abercrombie’s website.

Hugo Awards LogoBy now, you’ve probably seen the results of the 2012 Hugo Awards, which are littered across the ‘net. Instead of sounding like a broken record and posting the unabridged list, I thought I’d toss around a few of my thoughts on the results that most interest me, specifically ‘Best Novel,’ ‘Best Fanzine,’ and ‘Best Fan Writer.’ Overall, I’m quite happy with the results, and found many overlaps between my original nominating ballot and the votes I cast.

For the full list, visit Tor.com.

Best Novel

  • Winner: Among Others by Jo Walton (Tor)
  • A Dance With Dragons by George R. R. Martin (Bantam Spectra)
  • Deadline by Mira Grant (Orbit)
  • Embassytown by China Miéville (Macmillan UK / Del Rey)
  • Leviathan Wakes by James S. A. Corey (Orbit)

Very surprised, and delighted, to see Among Others sitting atop this list. I nominated it, and gave it my top vote earlier in the year, but I expected it to get trampled by A Dance with Dragons, or Mieville. Some consider the novel to be too pandering towards the older generation of fandom, who has a huge impact on Hugo voting, and many they’re right, but as someone who was born after Among Others ended, rose-tinted glasses didn’t have any effect on my perception and enjoyment of the novel; The dreamy Welsh setting did, the starkly drawn protagonist and the tender relationships she built around herself did, but nostalgia didn’t. Good choice, voters.
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Ann VanderMeer joins Tor.com as Consulting Fiction EditorAnn VanderMeer has been hired by Tor.com as a ‘consulting fiction editor,’ joining Patrick Nielsen Hayden and Liz Gorinsky in acquiring short fiction for the website. Tor.com says:

Since the beginning, much of our fiction has been acquired and edited by Patrick Nielsen Hayden; additionally, Liz Gorinsky began buying and editing for the site in 2010. Now we’re pleased to add Ann VanderMeer as a consulting fiction editor for Tor.com. […] She brings a sharp eye for adventurous fiction to all of her projects, and we look forward to the stories and authors she’ll bring to Tor.com.

Ann VanderMeer is one of the best in the business, and, after a public departure from the legendary genre magazine Weird Tales, it’s great to see her snapped up by another of the leading publishers of high-quality genre short fiction.

This is good news for any and all (like me) who are discouraged by the excessive turn-around times for Tor.com short fiction submissions, which, according to Duotrope, are currently sitting at a median of 299 days, well above the average wait time for SF/F/H short fiction venues. In comparison, Clarkesworld turns stories around in three days, and Lightspeed turns stories around in two days. Adding another acquiring editor, especially one with VanderMeer’s experience and expertise, should ease this period. Hopefully.

Equally, this is good news for anyone who likes good SF/F/H short fiction, as VanderMeer has a strong track record of acquiring and publishing quality stories from some of the genre’s best and brightest names.

Congratulations to both Tor.com and Ann VanderMeer.

MeOne of my favourite weekly features in the blogosphere in Mieneke Van Der Salm’s Blogger Query interviews. Every Wednesday, she pulls one blogger or reviewer and puts them to question. It’s a fun way to get to know some of the personalities in SFF fandom. And, well, this week was my turn.

A little snippet:

You’ve been quite outspoken about the lack of regard for blogs as fan publications and bloggers as fan writers, mostly in regard to the Hugos. Do you think regard for blogs as fan publications from awards and the way the publishing industry regards blogs are intertwined? Would increased respect from the publishing industry also increase respect for blogs and bloggers from awards committees or are awards too insular for such cross-pollination?

Yeah, I’ve raised a stink or two, and been successful at opening at least a small dialogue about the matter between the incumbent fan publications (fanzines) and the up-and-coming ones (blogs). It’s something I feel very strongly about.

To be honest, I wouldn’t be so quick to link the perception of blogs and online fan writers by the publishing industry to the struggles they’ve had in being recognized by the award committees and voters. Conversely, I’d say that publishers, large and small, pay a heck of a lot more attention to blogs and the online space than they do to the traditionally published fanzines. This is keeping in the tradition and origins of fanzines, which by their nature are independent and often focus more on exploring the natures and issues of fandom, than in being a part of the PR circle that runs the publishing industry, a pitfall that blogs have to be sure to avoid. Instead, you have a new generation of writers, many of them a bit younger, in their mid-twenties to late-thirties, that is trying to break into an area that is often run and heavily influenced by an older generation that has long been entrenched in their ideals and tendencies.

Whether they’re older men or not (and, in the case of the Hugo Awards, there are over a 1,000 eligible voters, so they’re not all old men, of course), old ideas and habits still exist. It’s always been a challenge for the young whipper-snappers to push against the older generation, trying to promote new ideas and the fast-moving world that has grown up around the original foundations of awards like the traditional awards. Right now, bloggers are those young whipper-snappers, and we just need to make enough noise to ensure that, when the time comes, voters take us as seriously as we deserve.

With all that said, I think the addition of SF Signal, which I’ve contributed to on occasion, on the recent Hugo ballot is a huge step for online fan writing and blogs in general. I hope to see a continued drive in that direction. Not at the expense of great fanzines and fan writers working in more traditional mediums, but as a joining of the two, recognizing the best writing, period.

If you want to hear a bit about my thoughts on reading, writing, the Hugos and blogging, I encourage you to read the whole interview.